[JOHN _affects a dutiful delight at this suggestion, and wonders
mentally if he can get away in time to go to afternoon tea with those
pretty Chesterton Girls_.
AN UNCLE (_who has taken_ MASTER TOMMY _out for the afternoon_). This is
the way to make your English History _real_ to you, my boy!
[TOMMY, _who had cherished hopes of Covent Garden Circus, privately
thinks that English History is a sufficiently unpleasant reality as it
is, and conceives a bitter prejudice against the entire Tudor Period on
the spot_.
[Illustration: "WHAT ARE YOU DOIN' THEM C'RECT GUIDES AT, OLE MAN? A
SHILLIN'? NOT _me_!"]
THE INTELLIGENT PERSON. Ha! armour of the period, you see!
(_Feels bound to make an intelligent remark._) 'Stonishing how the whole
art of war has been transformed since then, eh? Now--to me--(_as if he
was conscious of being singular in this respect_)--to _me_, all this is
most interesting. Coming as I do, fresh from Froude--
HIS COMPANION (_a Flippant Person_). Don't speak so loud. If they know
you've come in here fresh, you'll get turned out!
PATRONISING PERSONS (_inspecting magnificent suit of russet and gilt
armour_). 'Pon my word, no idea they turned out such good work in those
times--very creditable to them, really.
BEFORE THE PORTRAITS.
THE UNCLE. Now, Tommy, you remember what became of Katherine of Aragon,
I'm sure? No, no--tut--tut--_she_ wasn't executed! I'm afraid you're
getting rather rusty with these long holidays. Remind me to speak to
your mother about setting you a chapter or so of history to read every
day when we get home, will you?
TOMMY (_to himself_). It _is_ hard lines on a chap having a Sneak for an
Uncle! Catch me swotting to please _him_!
'ARRY. There's old 'Enery the Eighth, you see--that's 'im right enough;
him as 'ad all those wives, and cut every one of their 'eds off!
'ARRIET (_admiringly_). Ah, I knew we shouldn't want a Catalogue.
THE INT. P. Wonderfully Holbein's caught the character of the
man--the--er--curious compound of obstinacy, violence, good-humour,
sensuality, and--and so on. No mistaking a Holbein--you can tell him at
once by the extraordinary finish of all the accessories. Now look at
that girdle--isn't that Holbein all over?
FLIPPANT P. Not quite all over, old fellow. Catalogue says it's painted
by Paris Bordone.
THE INT. P. Possibly--but it's Holbein's _manner_, and, looking at these
portraits, you see at once how right Froude's estimate was of the King.
F. P. Does Froude say how he got that nasty one on the side of his nose?
A VISITOR. Looks overfed, don't he?
SECOND V. (_sympathetically_). Oh, he fed himself very well; you can see
that.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account