Voice production in singing and speaking, based on scientific principles — John Shaqi
Voice production in singing and speaking, based on scientific principlesMills, Wesley
Philosophy
Voice production in singing and speaking, based on scientific principles
Mills, Wesley
Singing; Voice culture
Relations of animals to each other--Common properties of living
matter--Explanation of these--The mammal and man--The stimulus and its
results--The one-celled animal--Various "systems"necessary--Complexity
of structure and function--Harmony through the nervous system--The
rule of nervous centres--Means by which they are influenced, and by
which they influence--Reflex action--Muscular mechanisms and
neuro-muscular mechanisms--Work of the singer and speaker largely
reflex in character--Summary 34
CHAPTER III.
BREATHING CONSIDERED THEORETICALLY AND PRACTICALLY.
Breathing the great essential--Misconceptions--Purpose of breathing as
a vital process--The respiratory organs--Their nature--Relations of
the lungs to the chest-wall--Expansion of the chest--Its
diameters--The muscles of respiration--Personal observation--The
diaphragm--Varying quantities of air breathed--Breathing when properly
carried out by the singer or speaker is healthful 44
CHAPTER IV.
BREATHING FURTHER CONSIDERED THEORETICALLY AND PRACTICALLY.
Relations of the nervous system to breathing--The respiratory
centre--Reflex action in breathing--Methods of preventing
nervousness--Tones produced by the outgoing breath--Waste of
breath--The happy combination for good singing or speaking 57
CHAPTER V.
BREATHING WITH SPECIAL REGARD TO PRACTICAL CONSIDERATIONS.
The well-developed chest--The voice-user a kind of athlete--The
tremolo--Exercises recommended for the development of the chest--Forms
of dress that hamper breathing--Weighing and measuring,
re-measurement, etc.--Specific directions for methods to develop the
chest--Warnings--Additional exercises--Breathing through the nose and
through the mouth--Exercises for the development of the diaphragm and
abdominal muscles--Relation of the diaphragm to the staccato
effect--Forms of general exercise for the voice-user--Summary 62
CHAPTER VI.
THE SPECIAL VOICE-PRODUCING MECHANISM, THE LARYNX.
Not the only voice-producing apparatus--Specific structures of the
larynx in use when the subject phonates--Muscles and their
attachments--The cartilages of the larynx--The lining mucous
membrane--Changes in it when one has a "cold"--The vocal
bands--Functions of the epiglottis--The "middle line" and relative
position of parts--Adam's apple--Ventricle of the larynx--The
importance of the arytenoid cartilages--Muscles of the larynx in
detail--Sphincter action--Straining--Position of the larynx--Practical
considerations--Dissection of a "pluck" and especially of the
larynx--Hygiene--How disorder of one part may affect another--Summary
74
CHAPTER VII.
SOUND--THE LARYNGOSCOPE--THE LARYNX RECONSIDERED.
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