Voice production in singing and speaking, based on scientific principles — John Shaqi
Voice production in singing and speaking, based on scientific principlesMills, Wesley
Philosophy
Voice production in singing and speaking, based on scientific principles
Mills, Wesley
Singing; Voice culture
Of the _epiglottis_, a flexible cartilage, it is necessary to say
little, as its function in voice-production, if it have any, has never
been determined. It hangs as a flexible protective lid over the
glottis, and food in being swallowed passes over and about it. It no
doubt acts to keep food and drink out of the larynx, yet in its
absence, in some cases, owing to disease, no very great difficulty was
experienced, probably because certain muscles acted more vigorously
than usual and tended to close up the glottic chink.
The following simple diagram will, it is hoped, make the relative
position of parts plain so far as the anterior (front) attachments of
parts to the thyroid cartilage are concerned. It will be understood
that the inner anterior surface is meant, and that by "middle line"
is intended the middle line of the body, the imaginary vertical
diameter passing like a plumb-line from the middle plane of the head,
let us suppose, downward just in front of the larynx.
[Illustration: FIG. 29.]
The angle made above and in front where the two wings of the thyroid
cartilage meet is termed _Adam's apple_ (_Pomum Adami_), and in some
cases, mostly males, is very prominent. Adam's apple has in itself,
however, no special significance in voice-production.
The little concavity between the false vocal bands above and the true
vocal bands below is termed the _ventricle of the larynx_. It allows
of more space for the free movements of the bands, especially those
more important in voice-production.
The vocal bands are attached behind to the projecting angle of the
base of the arytenoid cartilage, which is itself somewhat triangular
in shape, the base of the triangle being downward and resting on the
upper and posterior (back) surface of the cricoid cartilage, with
which it makes a free joint, so that it can move swivel-like in all
directions. This is most important, because through it is explained
the fact that the vocal bands may be either tensed and lengthened or
relaxed and shortened.
_The muscles act on these movable cartilages, and nearly all the
changes in the vocal bands are brought about through the alterations
in position of the arytenoid cartilages, to which they are attached
behind._
Before describing the muscles of the larynx, the reader is reminded of
the order of structures from above downward, in front, which is as
follows:
The hyoid bone.
The thyro-hyoid membrane.
The thyroid cartilage.
The crico-thyroid membrane.
The cricoid cartilage.
The trachea.
The latter is connected with the cricoid cartilage by its membrane.
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