He had felt in them, himself, ever since the night before, and the
feeling grew stronger when Râm Nâth left him to his solitary dinner.
For his wife, after spending the best part of the day in bed recovering
from the fatigues of the ball, had gone out to dine with some friends
and go on with them to the dress rehearsal of a burlesque in which she
was singing and dancing. She had not taken any notice of last night's
quarrel; had, indeed, practically ignored it and said good-night to
him--as she passed out to the carriage in her short skirts--with
absolute good humour.
So, baffled, helpless, miserable, he sate down conscientiously to the
long, set meal, which his wife prided herself was served with as much
ceremony as any in Nushapore. He said 'No thank you' in polite English
fashion to half-a-dozen dishes, and still the solemn exchange of one
clean plate for another went on and on, till he felt inclined to order
the servants, with their ill-concealed tolerance of him as the husband
of their _mem_, out of the room.
They left him alone, at last, in company with the dessert; but even
this was not to his taste. Yet, in a way, he felt hungry. So he rose
and went to the sideboard, cut himself a slice of bread, helped himself
to some mango pickle, and ate it with relish.
Then the mere fact of this revival of a childish taste, with its
bathos, its hopeless triviality, reduced him almost to tears, and he
came back to sit before the chocolate _pralines_ and French _dragées_,
and leaning his head on his crossed arms, give himself up to a dreary
amaze.
The house was absolutely quiet. The servants had closed the verandah
doors and gone off to their own quarters. Through the looped
_portières_ which--as in so many Indian bungalows--hung in the wide
arch between the dining and drawing rooms, he could see the latter lit
up decorously with a superfluity of pink paper shades. One of the
windows opening on to the garden was ajar, and the light from the lamps
made the thin split bamboo screen, hung beyond it to keep out the
flies, look like solid wood.
But as, after a time, impelled--even in his blank uncertainty regarding
all things--to think of going into the drawing-room decently and in
order, Chris looked up from his dreary meditations, the solidity of
this screen wavered. And he saw the cause. A thin delicate hand was
pulling the screen aside so as to see into the room.
'Who is it?' he called at once. 'What do you want?'
'Krishn Davenund,' came a voice. It was a woman's.
'Krishn Davenund,' he echoed stupidly, his heart beginning to throb.
'Well! I am Krishn Davenund. Who wants me?'
The next instant he was standing as if turned to stone beside the
table; for the white-clad figure which showed itself, and then came
swiftly towards him, was his mother's.
'Mother!' he faltered. 'Why?--what----?'
Public-domain text, read in full here on John Shaqi.
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