He took off his European dress, not from any distaste to it, but
because he knew it to be an absolute barrier between him and his
desire. So, in the ordinary costume of a native clerk, he strolled out
to pass the time till he could safely go and see his mother; safely,
because she lived amongst the strictest of neighbours, whom he did not
wish to meet--as yet. That might be afterwards, but not now. It was
already growing dusk--for he had changed his quarters after the day's
work was over--but the irregular sort of bazaar between him and one of
the city gates had not yet begun to twinkle with little lights after
its usual fashion. Indeed, many of the shops were closed. Yet there was
no lack of possible customers. The roadway was crowded with all sorts
and conditions of men. It suddenly struck him that nearly all were
coming towards him; therefore there must be some attraction behind him.
He turned and drifted with the tide until, after a few hundred yards,
he saw ahead of him to one side of the road, a dim clump of stunted
trees, with a red rag on a stick tied to the topmost branch, and,
showing in a soft yellow radiance which rose from the ground, a glint
of white tombs among the lower ones. Then he remembered--an odd regret
that he should have forgotten something which to his childhood had been
all-important, coming with the remembrance--that this must be the day
of Sheikh Chilli's fair, which was held every year at this shrine;
Sheikh Chilli, the pantaloon of India; the man of straw, the lover's
dupe, the butt of every one; the type which, in varying form, plays its
part in the serio-comic tragedy of sex all over the world. Sheikh
Chilli, whose beard any one can pull, whose wife is never his own, whom
a child can deceive.
Perhaps that was the reason, Chris thought, why, as a child,
Sheikh Chilli's fair had been such a supreme occasion; that and the
toys--those toys which, as it were, set Nushapore the fashion in
playthings for a whole year. And that meant something, since the two
hundred and odd thousand people in the city, idlers by inheritance,
were great in the manufacture of toys.
Chris, who had not seen a Sheikh Chilli fair for years, went forward
eagerly as a child himself, the whole scene coming back to him with
absolute familiarity: the rows of little lights set on the ground to
mark the streets, and behind them, ranged in squares, the toys;
thousands of them, millions of them; baked mud, bent bamboo, curled
cotton; soda-water corks, match-boxes, even brass cartridges, all
pressed into the service by a truly marvellous ingenuity. And between
the lights, along the paths, jammed almost to solidity by the barriers
of toys, humanity of all sorts and sizes, seen in that curious soft
radiance rising from the earth below its feet! humanity trying to pause
and admire, trying to pause and laugh; helpless for either when
standing, and driven to gain absolute solidity by squatting down and
letting the stream sweep over it.
Public-domain text, read in full here on John Shaqi.
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