It fell on Khôjeeya Khânum's ears, making her heart sink with its
implied warning; for a child doomed to disease, like little Sa'adut,
the heir to the Heirship of Nothingness, was but faint hold on the
soaring honours of royalty. And Jehân Aziz, his father, was a fainter
one still. Rumours had come, even to the wide ruined courtyard, of
official reprimands, of threats. What wonder, when even the more
reputable members of the royal family looked askance at his doings?
Still he was master in that house, and as that was his day for the
weekly visit of ceremony he vouchsafed to his lawful wife, it behoved
Khôjee to prepare for it after established rule.
Khâdeeja Khânum, Khôjee's twin sister, had already done her share of
preparation. She had put on her best pink satin trousers and a spangled
green veil, in which she sate, squatted on a string bed set in the
women's court, and sewed at a tinsel cap for the head of the
house--that being the correct etiquette on such occasions.
And Khâdeeja was far more correct than Khôjeeya. In fact, her position
in the household was quite different, seeing that she had been
betrothed in her youth to an ancient suitor who died before she was old
enough to be claimed, while no one had ever made a bid for Khôjee's
limp. So, while the latter's few trinkets had a trick of remaining with
the pawnbroker, Khâdjee's never paid even a temporary visit to that
official.
Then her clothes, from that decorous sitting on string beds instead of
breathless spinning in the dust, remained so spick and span, that
Noormahal, poor soul! when money ran scarce for the heir's medicine,
would accuse the general scapegoat of extravagance in providing them.
On these occasions Khôjee never retorted that the white muslin in which
the Nawâbin denied herself was, in the end, more expensive. Neither did
she meet Khâdjee's demand for more tinsel with the brutal truth that
the caps were too old-fashioned for Jehân Aziz to wear. Family facts of
this sort she did not even divulge in her prayers; for Khôjeeya
Khânum's religion, like her life, was strictly impersonal. It could be
nothing else, since it was barely decent for a woman to intrude even
her own salvation on a Creator whose attributes were distinctly
masculine!
So, while Khâdjee sewed and Noormahal cuddled the sleeping Sa'adut
as she crouched on another bed, Khôjee dragged out the state
carpet--whence all the state and most of the carpet had retired in
favour of bare string--set the cushions, prepared the pipe, the
sherbet, and the hand punkah, lest the master should be fatigued by his
condescension; for, to her, all these ceremonies were a sort of
sacrament to any intercourse between the sexes, without which it was
distinctly improper, and with which it was possible to receive even a
scapegrace with benefit to yourself.
Public-domain text, read in full here on John Shaqi.
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