She gave a little gasp; in folding up the state carpet, four milk-white
beads rolled out from its worn strings.
She glanced round her hastily.
Khâdjee was wiping the dimness of past tears from her spectacles,
Khôjee was replacing the cushions, Noormahal was brooding over Sa'adut,
who had fallen asleep with both his thumbs thrust into the ring, as
they thrust the fingers of a corpse which might otherwise come back to
disturb the living with what should be buried and forgotten.
There was no one to see. And no one to know; for Jehân would sell or
pawn the remainder, none the wiser. Even if he suspected anything he
would make no inquiries, since these sales were done in secret.
She had no pocket, and to tie her prize in the corner of her veil would
attract attention. So she slipped the pearls into her mouth, and held
her tongue even when Aunt Khôjee scolded at her for not being quicker.
Such silence paid better than any retort, and it also gave her time to
mature her plans. One thing was certain, she must make her push for
freedom before there was any chance of discovery, for it was just
possible Jehân might know the number of the pearls. The sooner the
better, as far as she was concerned, since she had long made up her
mind to accept Miss Leezie's offer--with a suitable fee--of educating
her to that walk in life. She could not remain dowerless, unwed, within
four walls all her life! And if one had to amuse oneself, was it not
better to do it openly, in a recognised, almost respectable fashion,
which was countenanced even by the _Huzoors_?
As she made her plans, Jehân on his way to his bachelor quarters in the
worst bazaar in Nushapore was making his, and settling that he would
certainly lead that pig of an infidel, Lucanaster, to think he would in
the end yield the emerald, by letting him have the pearls cheap, under
promise of silence.
This was imperative, partly for the sake of honour; mostly because
Salig Râm, the usurer, might object to any one else getting them.
CHAPTER III
COBWEBS
The noonday sun lay shadowless in every nook of the narrow
evil-smelling courtyard which formed a common exit to Jehân Aziz's
bachelor quarters and three or four other houses whose fronts faced the
most disreputable bazaar in Nushapore. One of these belonged to
Dilarâm, the dancer, and the remaining ones were tenanted by folk of
similar tastes, such as Burkut Ali, the Delhi pensioner, whom Jack
Raymond had styled the biggest brute in Asia; but he had a double
reasoning for choosing the courtyard, in that it enabled him better to
play his part of Buckingham to the Rightful Heir.
Despite its character, however, the courtyard was peace and propriety
itself in the perpendicular glare of noon; peaceful and proper with a
dreamy drugged peace, a satiated propriety that was in keeping with the
heavy yellow sunshine.
Public-domain text, read in full here on John Shaqi.
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