Volpla
By WYMAN GUIN
Illustrated by DICK FRANCIS
[Transcriber's Note: This etext was produced from
Galaxy Science Fiction May 1956.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
The only kind of gag worth pulling, I always
maintained, was a cosmic one--till I learned the
Cosmos has a really nasty sense of humor!
There were three of them. Dozens of limp little mutants that would have
sent an academic zoologist into hysterics lay there in the metabolic
accelerator. But there were three of _them_. My heart took a great
bound.
I heard my daughter's running feet in the animal rooms and her
rollerskates banging at her side. I closed the accelerator and walked
across to the laboratory door. She twisted the knob violently, trying
to hit a combination that would work.
I unlocked the door, held it against her pushing and slipped out so
that, for all her peering, she could see nothing. I looked down on her
tolerantly.
"Can't adjust your skates?" I asked again.
"Daddy, I've tried and tried and I just can't turn this old key tight
enough."
I continued to look down on her.
"Well, Dad-dee, I can't!"
"Tightly enough."
"What?"
"You can't turn this old key tightly enough."
"That's what I _say_-yud."
"All right, wench. Sit on this chair."
I got down and shoved one saddle shoe into a skate. It fitted
perfectly. I strapped her ankle and pretended to use the key to tighten
the clamp.
Volplas at last. Three of them. Yet I had always been so sure I could
create them that I had been calling them volplas for ten years. No,
twelve. I glanced across the animal room to where old Nijinsky thrust
his graying head from a cage. I had called them volplas since the day
old Nijinsky's elongated arms and his cousin's lateral skin folds had
given me the idea of a flying mutant.
* * * * *
When Nijinsky saw me looking at him, he started a little tarantella
about his cage. I smiled with nostalgia when the fifth fingers of his
hands, four times as long as the others, uncurled as he spun about the
cage.
I turned to the fitting of my daughter's other skate.
"Daddy?"
"Yes?"
"Mother says you are eccentric. Is that true?"
"I'll speak to her about it."
"Don't you _know_?"
"Do you understand the word?"
"No."
I lifted her out of the chair and stood her on her skates. "Tell your
mother that I retaliate. I say _she_ is beautiful."
She skated awkwardly between the rows of cages from which mutants with
brown fur and blue fur, too much and too little fur, enormously long
and ridiculously short arms, stared at her with simian, canine or
rodent faces. At the door to the outside, she turned perilously and
waved.
Public-domain text, read in full here on John Shaqi.
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