Voltaire congratulated himself in his preface that he had come
sufficiently near theological exactitude, and to this qualification,
which is so new for poetry, the critic may add elegance and flow; but
neither elegance nor theological exactitude reconciles us to an epic
that has neither a stroke of sublimity nor a touch of pathos, that
presents no grandeur in character, and no hurrying force and movement in
action. Frederick the Great used to speak of Voltaire as the French
Virgil, but then Frederick’s father had never permitted him to learn
Latin, and if he ever read Virgil at all, it must have been in some of
the jingling French translations. Even so, with the episodes of Dido and
of Nisus and Euryalus in our minds, we may wonder how so monstrous a
parallel could have occurred even to Frederick, who was no critic,
between two poets who have hardly a quality in common. If the reader
wishes to realise how nearly insipid even Voltaire’s genius could become
when working in unsuitable forms, he may turn from any canto of the
Henriade to any page of Lucretius or the Paradise Lost. A French critic
quotes the famous reviewer’s sentence, concluding an analysis of some
epic, to the effect that on the whole, when all is summed up, the given
epic was ‘one of the best that had appeared in the course of the current
year;’ and insists that Voltaire’s piece will not at any rate perish in
the oblivion of poetic annuals like these. If not, the only reason lies
in that unfortunate tenderness for the bad work of famous men, which
makes of so much reading time worse than wasted. ‘The unwise,’ said
Candide, ‘value every word in an author of repute.’
CHAPTER IV.
BERLIN.
The Marquise du Châtelet died under circumstances that were tragical
enough to herself, but which disgust the grave, while they give a
grotesque amusement to those who look with cynical eye upon what they
choose to treat as the great human comedy. In 1749 the friendship of
sixteen years thus came to its end, and Voltaire was left without the
tie that, in spite of too frequent breaking away from it, had brought
him much happiness and good help so far on the road. He was now free,
disastrously free as the event proved, to accept the invitations with
which he had so long been pressed to take up his residence with the king
who may dispute with him the claim to be held the most extraordinary man
of that century.
Public-domain text, read in full here on John Shaqi.
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