Votes for Women: A Play in Three ActsRobins, Elizabeth
General
Votes for Women: A Play in Three Acts
Robins, Elizabeth
Feminists -- Drama; Suffragists -- Drama; Women -- Great Britain -- Drama; Women -- Suffrage -- Drama; Women's rights -- Drama
MISS E. B. (_speaking through the noise_). Oh, no! _Let_ the women
scrub and cook and wash. That's all right! But if they want to try
their hand at the better paid work of the liberal professions--oh,
very unfeminine indeed! Then there's another thing. Now I want you to
listen to this, because it's _very_ important. Men say if we persist in
competing with them for the bigger prizes, they're dreadfully afraid
we'd lose the beautiful protecting chivalry that---- Yes, I don't
wonder you laugh. _We_ laugh. (_Bending forward with lit eyes._) But
the women I found at the Ferry Tin Works working for five shillings
a week--I didn't see them laughing. The beautiful chivalry of the
employers of women doesn't prevent them from paying women tenpence a
day for sorting coal and loading and unloading carts--doesn't prevent
them from forcing women to earn bread in ways worse still. So we won't
talk about chivalry. It's being over-sarcastic. We'll just let this
poor ghost of chivalry go--in exchange for a little plain justice.
VOICE. If the House of Commons won't give you justice, why don't you go
to the House of Lords?
MISS E. B. What?
VOICE. Better 'urry up. Case of early closin'.
(_Laughter. A man at the back asks the speaker something._)
MISS E. B. (_unable to hear_). You'll be allowed to ask any question
you like at the end of the meeting.
NEW-COMER (_boy of eighteen_). Oh, is it question time? I s'y, Miss,
'oo killed cock robin?
(_She is about to resume, but above the general noise the voice of
a man at the back reaches her indistinct but insistent. She leans
forward trying to catch what he says. While the indistinguishable
murmur has been going on_ GEOFFREY STONOR _has appeared on the
edge of the crowd, followed by_ JEAN _and_ LADY JOHN _in motor
veils._)
JEAN (_pressing forward eagerly and raising her veil_). Is she one of
them? That little thing!
STONOR (_doubtfully_). I--I suppose so.
JEAN. Oh, ask some one, Geoffrey. I'm so disappointed. I did so hope
we'd hear one of the--the worst.
MISS E. B. (_to the interrupter--on the other side_). What? What do you
say? (_She screws up her eyes with the effort to hear, and puts a hand
up to her ear. A few indistinguishable words between her and the man._)
LADY JOHN (_who has been studying the figures on the platform through
her lorgnon, turns to a working man beside her_). Can you tell me, my
man, which are the ones that--a--that make the disturbances?
WORKING MAN. The one that's doing the talking--she's the disturbingest
o' the lot.
JEAN (_craning to listen_). Not that nice little----
WORKING MAN. Don't you be took in, Miss.
MISS E. B. Oh, yes--I see. There's a man over here asking----
A YOUNG MAN. _I've_ got a question, too. Are--you--married?
ANOTHER (_sniggering_). Quick! There's yer chawnce. 'E's a bachelor.
(_Laughter._)
Public-domain text, read in full here on John Shaqi.
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