Votes for Women: A Play in Three ActsRobins, Elizabeth
General
Votes for Women: A Play in Three Acts
Robins, Elizabeth
Feminists -- Drama; Suffragists -- Drama; Women -- Great Britain -- Drama; Women -- Suffrage -- Drama; Women's rights -- Drama
MISS L. I am not concerned that you should think we women can paint
great pictures, or compose immortal music, or write good books. I am
content that we should be classed with the common people--who keep
the world going. But (_straightening up and taking a fresh start_),
I'd like the world to go a great deal better. We were talking about
justice. I have been inquiring into the kind of lodging the poorest
class of homeless women can get in this town of London. I find that
only the men of that class are provided for. Some measure to establish
Rowton Houses for women has been before the London County Council. They
looked into the question "very carefully," so their apologists say. And
what did they decide? They decided that _they could do nothing_.
LADY JOHN (_having forced her way to_ STONOR'S _side_). Is that true?
STONOR (_speaking through_ MISS LEVERING'S _next words_). I don't know.
MISS L. Why could that great, all-powerful body do nothing? Because,
if these cheap and decent houses were opened, they said, the homeless
women in the streets would make use of them! You'll think I'm not in
earnest. But that was actually the decision and the reason given for
it. Women that the bitter struggle for existence has forced into a life
of horror----
STONOR (_sternly to_ LADY JOHN). You think this is the kind of
thing---- (_A motion of the head towards_ JEAN.)
MISS L.--the outcast women might take advantage of the shelter these
decent, cheap places offered. But the _men_, I said! Are all who avail
themselves of Lord Rowton's hostels, are _they_ all angels? Or does
wrong-doing in a man not matter? Yet women are recommended to depend on
the chivalry of men.
(_The two policemen, who at first had been strolling about, have
stood during this scene in front of_ GEOFFREY STONOR. _They turn
now and walk away, leaving_ STONOR _exposed. He, embarrassed,
moves uneasily, and_ VIDA LEVERING'S _eye falls upon his big
figure. He still has the collar of his motor coat turned up to
his ears. A change passes over her face, and her nerve fails her
an instant._)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account