I sat me to work. The wall paper is patterned with arabesques or
odalisks or—perhaps—it is trapezoids. Upon one of the figures I fixed
my eyes. I bethought me of humor.
A voice startled me—Louisa’s voice.
“If you aren’t too busy, dear,” it said, “come to dinner.”
I looked at my watch. Yes, five hours had been gathered in by the grim
scytheman. I went to dinner.
“You mustn’t work too hard at first,” said Louisa. “Goethe—or was it
Napoleon?—said five hours a day is enough for mental labor. Couldn’t
you take me and the children to the woods this afternoon?”
“I _am_ a little tired,” I admitted. So we went to the woods.
But I soon got the swing of it. Within a month I was turning out copy
as regular as shipments of hardware.
And I had success. My column in the weekly made some stir, and I was
referred to in a gossipy way by the critics as something fresh in the
line of humorists. I augmented my income considerably by contributing
to other publications.
I picked up the tricks of the trade. I could take a funny idea and make
a two-line joke of it, earning a dollar. With false whiskers on, it
would serve up cold as a quatrain, doubling its producing value. By
turning the skirt and adding a ruffle of rhyme you would hardly
recognize it as _vers de societe_ with neatly shod feet and a
fashion-plate illustration.
I began to save up money, and we had new carpets, and a parlor organ.
My townspeople began to look upon me as a citizen of some consequence
instead of the merry trifler I had been when I clerked in the hardware
store.
After five or six months the spontaniety seemed to depart from my
humor. Quips and droll sayings no longer fell carelessly from my lips.
I was sometimes hard run for material. I found myself listening to
catch available ideas from the conversation of my friends. Sometimes I
chewed my pencil and gazed at the wall paper for hours trying to build
up some gay little bubble of unstudied fun.
And then I became a harpy, a Moloch, a Jonah, a vampire, to my
acquaintances. Anxious, haggard, greedy, I stood among them like a
veritable killjoy. Let a bright saying, a witty comparison, a piquant
phrase fall from their lips and I was after it like a hound springing
upon a bone. I dared not trust my memory; but, turning aside guiltily
and meanly, I would make a note of it in my ever-present memorandum
book or upon my cuff for my own future use.
My friends regarded me in sorrow and wonder. I was not the same man.
Where once I had furnished them entertainment and jollity, I now preyed
upon them. No jests from me ever bid for their smiles now. They were
too precious. I could not afford to dispense gratuitously the means of
my livelihood.
I was a lugubrious fox praising the singing of my friends, the crow’s,
that they might drop from their beaks the morsels of wit that I
coveted.
Nearly every one began to avoid me. I even forgot how to smile, not
even paying that much for the sayings I appropriated.
Public-domain text, read in full here on John Shaqi.
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