At its worst it is lock and key and crucible, and the wand of Circe.
When it corrals man in lonely ranches, mountain cabins, and forest
huts, the snow makes apes and tigers of the hardiest. It turns the
bosoms of weaker ones to glass, their tongues to infants’ rattles,
their hearts to lawlessness and spleen. It is not all from the
isolation; the snow is not merely a blockader; it is a Chemical Test.
It is a good man who can show a reaction that is not chiefly composed
of a drachm or two of potash and magnesia, with traces of Adam,
Ananias, Nebuchadnezzar, and the fretful porcupine.
This is no story, you say; well, let it begin.
There was a knock at the door (is the opening not full of context and
reminiscence oh, best buyers of best sellers?).
We drew the latch, and in stumbled Etienne Girod (as he afterward named
himself). But just then he was no more than a worm struggling for life,
enveloped in a killing white chrysalis.
We dug down through snow, overcoats, mufflers, and waterproofs, and
dragged forth a living thing with a Van Dyck beard and marvellous
diamond rings. We put it through the approved curriculum of
snow-rubbing, hot milk, and teaspoonful doses of whiskey, working him
up to a graduating class entitled to a diploma of three fingers of rye
in half a glassful of hot water. One of the ranch boys had already come
from the quarters at Ross’s bugle-like yell and kicked the stranger’s
staggering pony to some sheltered corral where beasts were entertained.
Let a paragraphic biography of Girod intervene.
Etienne was an opera singer originally, we gathered; but adversity and
the snow had made him _non compos vocis_. The adversity consisted of
the stranded San Salvador Opera Company, a period of hotel second-story
work, and then a career as a professional palmist, jumping from town to
town. For, like other professional palmists, every time he worked the
Heart Line too strongly he immediately moved along the Line of Least
Resistance. Though Etienne did not confide this to us, we surmised that
he had moved out into the dusk about twenty minutes ahead of a
constable, and had thus encountered the snow. In his most sacred blue
language he dilated upon the subject of snow; for Etienne was
Paris-born and loved the snow with the same passion that an orchid
does.
“Mee-ser-rhable!” commented Etienne, and took another three fingers.
“Complete, cast-iron, pussy-footed, blank... blank!” said Ross, and
followed suit.
“Rotten,” said I.
Public-domain text, read in full here on John Shaqi.
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