Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One Act — John Shaqi
Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One ActMorton, John Maddison
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Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One Act
Morton, John Maddison
English drama -- 19th century; Farces; London (England) -- Drama
O’WALKER. (_aside_) Brown—Little Windmill Street—cubas. (_snatches
cigar case out of BROWN’S hand—takes out a cuba and examines it,
aside_) This is one of Amelia Jones’s cubas—I’ll swear to it—he’s a
Brown—he says he’s a Brown, and if a Brown, why not the “fondest of
Brown’s,” if I could only make him the means of getting those infernal
letters of mine back—I have it. (_aloud and suddenly seizing BROWN’S
hand_) Brown, it is my painful duty instantly to plunge a dagger into
your manly bosom. (_BROWN starts_) Don’t be alarmed, I speak
figuratively—in other words—(_in a loud and mysterious whisper_) go
elsewhere for your cubas.
BROWN. Ah!
O’WALKER. (_aside_) It _is_ the fondest of Brown’s. (_aloud in the same
low earnest tone_) Brown, you are deceived.
BROWN. What do you mean?
O’WALKER. I mean that Amelia Jones——
BROWN. Hush!
O’WALKER. I repeat, that Amelia Jones.
BROWN. Hush! (_looking about him and then to O’WALKER_) don’t speak so
loud—I’m afraid you’ll call me a sad dog when I unfold my tale—I shan’t
be offended if you do—for I know I’m a shocking good-for-nothing
rascal, but I can’t help it—that’s the melancholy part of it—I can’t
help it. Listen! As I was sauntering about the West End one evening
last week, I suddenly found that I had lost my way, and seeing a
gentleman in a Highland dress standing outside the door of a
tobacconist’s shop, in the act of taking a pinch of snuff, I accosted
him and civilly asked him where I was; he didn’t think proper to reply,
which I inferred from being a Highlander he didn’t understand
English—consequently, I entered the shop, and there I beheld a sweet
creature—I bought a cigar, and though I had never smoked before in all
my life, I lighted it—I positively lighted it, and then I smoked and
chatted, and chatted and smoked, till, as it was getting _rather_ late,
and _I_ was getting very poorly, I took my leave of the fair creature
and went home. I’m ashamed to say I was there again, the next day, and
the next day, and the day after that; and as every pound of cigars I
bought of her seemed to ingratiate me more and more in her good
opinion, in less than a week I found I had laid in a sufficient stock
to open a tobacconist’s shop of my own—in fact I became so
fascinated—so charmed—so—so——
O’WALKER. Spooney!
BROWN. Exactly—so spooney—that I was on the point of asking her to
become Mrs. Brown, when I suddenly recollected that I was engaged to
another.
O’WALKER. Engaged to another?
BROWN. Hush! A woman who can’t live without seeing me twice a day and
that I haven’t been near for a week.
O’WALKER. Then go to her, Brown, and forget the perfidious Amelia.
She’s made a fool of you, Brown, nobody can look at you and doubt it.
BROWN. How?
O’WALKER. Simply because she’s engaged to be married. I happen to know
the fact, because the gentleman is the friend of an intimate friend of
a friend of mine, I don’t know why he should be, but he is.
Public-domain text, read in full here on John Shaqi.
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