Waiting for DaylightTomlinson, H. M. (Henry Major)
General
Waiting for Daylight
Tomlinson, H. M. (Henry Major)
English essays; World War, 1914-1918
Another grave statement by a great statesman, and, when we are fortunate,
a field postcard, are to-day our full literary deserts. Is it surprising
that catalogues of old books do not come our way? We do not deserve them.
Hope faintly revives, when the postman cheers us with an overdue field
postcard, of a morning to dawn when the abstraction we name the "average
intelligence" and the "great heart of the public" and the "herd mind,"
will not only regret that it made a ruinous fool of itself the night
before, but solemnly resolve to end all disruptive and dirty habits. This
wild hope was born in me of such a postcard (all right so far!)
coinciding with the arrival of the list of old books. It seemed at that
moment that things could be different and better. Then, when closing the
front door that morning--very gently--not slamming it on the run--I saw
something else. The door noiselessly closed, an easy launch into a
tranquil day, as though I had come down through the night with the
natural process of the hours, and so had commenced the day at the right
moment, I noticed the twig of a lilac bush had intruded into the porch.
It directly indicated me with a black finger. What did it want? I looked
intently, sure that an omen was here. Aha! So that was it! The twig was
showing me that it had a green nail.
Four young officers of the Flying Corps passed me, going ahead briskly,
and I thought that an elm under which they walked had kindling in it a
suggestion of coloured light. But it was too delicate to be more than a
hope. It must be confessed that the men who fight in the air were more
distinct than that light. Then the four officers parted, two to either
side, when marching past another figure. They went beyond it swiftly,
taking no notice of it, turned into the future, and vanished. I drew near
the bowed and leisurely being, which had a spade over its shoulder.
It stopped to light a pipe, and I caught up to it. The edge of the spade
was like silver with use, and the big hand which grasped it was brown
with dry earth. The lean neck of this figure was tinctured with many
summers, and cross-hatched by the weather and mature maleness. I caught a
smell of newly-turned earth. The figure moved as though time were
nothing. It turned its face as I drew level, and said it was a good
morning. The morning was better than good; and somehow this object in an
old hat and clothes as rough as bark, with a face which probably had the
same expression when William was momentous at Hastings, and when Pitt
solemnly ordered the map of Europe to be rolled up, was in accord with
the light in the elm, and the superior and convincing insolence of the
blackbirds. They all suggested the tantalizing idea that solid ground is
near us, in this unreasonable world of anxious change, if only we had
intelligence enough to know where to look for it.
VI. Prose Writing
Public-domain text, read in full here on John Shaqi.
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