Waiting for DaylightTomlinson, H. M. (Henry Major)
General
Waiting for Daylight
Tomlinson, H. M. (Henry Major)
English essays; World War, 1914-1918
Of all the periodicals which reach the British front, the two for which
there is most competition in any officers' mess are _La Vie Parisienne_
and New York _Life_. The impudent periodical from Paris is universal on
our front. The work of its artists decorates every dug-out. I should say
almost every mess subscribes for it. It is true it is usual to account
for this as being naughty chance. Youth has been separated from the sober
influence of its English home, is away from the mild and tranquil light
of Oxford Street feminity, is given to death, and therefore snatches in
abandon at amusement which otherwise would not amuse. Do not believe it.
_La Vie Parisienne_, it is true, is certainly not a paper for the English
family. I should be embarrassed if my respected aunts found it on my
table, pointed to its drawings, and asked me what I saw in them. What
makes it popular with young Englishmen in France is not the audacity of
its abbreviated underclothing, for there are English prints which
specialize in those in a more leering way, and they are not widely
popular like the French print. But _La Vie_ is produced by intelligent
men. It is not a heavy lump of stupid or snobbish photographs. It does
not leer. There is nothing clownish and furtive about it. It is the gay
and frank expression of artists whose humour is too broad for the
general; but, as a rule, there is no doubt about the fine quality of
their drawings and the deftness of their wit. That is what makes the
French print so liked by our men.
New York _Life_ proves that, it seems to me. The American periodical is
very popular in France, and the demand for it has now reached London. The
chemise is not its oriflamme. It properly recognizes much else in life.
But its usual survey of the world's affairs has a merry expansiveness
which would make the editorial mind common to London as giddy as grandma
in an aeroplane. It is not written in a walled enclosure of ideas. It is
not darkened and circumscribed by the dusty notions of the clubs. It does
not draw poor people as sub-species of the human. It does not recognize
class distinctions at all, except for comic purposes. It is brighter,
better-informed, bolder, and more humane than anything on this side, and
our men in France find its spirit in accord with theirs. One of the
results of the War will be that they will want something like it when
they come back, though I don't see how they are to get it unless it is
imported, or unless they emigrate to a country where to feel that way
about things is normal and not peculiar.
IX. The Marne
Public-domain text, read in full here on John Shaqi.
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