Birds -- United States; Natural history -- Outdoor books
In that free, fascinating, half-work and half-play
pursuit,--sugar-making,--a pursuit which still lingers in many parts of
New York, as in New England, the robin is one's constant companion. When
the day is sunny and the ground bare, you meet him at all points and
hear him at all hours. At sunset, on the tops of the tall maples, with
look heavenward, and in a spirit of utter abandonment, he carols his
simple strain. And sitting thus amid the stark, silent trees, above the
wet, cold earth, with the chill of winter still in the air, there is no
fitter or sweeter songster in the whole round year. It is in keeping
with the scene and the occasion. How round and genuine the notes are,
and how eagerly our ears drink them in! The first utterance, and the
spell of winter is thoroughly broken, and the remembrance of it afar
off.
Robin is one of the most native and democratic of our birds; he is one
of the family, and seems much nearer to us than those rare, exotic
visitants, as the orchard starling or rose-breasted grossbeak, with
their distant, high-bred ways. Hardy, noisy, frolicsome, neighborly
and domestic in his habits, strong of wing and bold in spirit, he is
the pioneer of the thrush family, and well worthy of the finer artists
whose coming he heralds and in a measure prepares us for.
I could wish Robin less native and plebeian in one respect,--the building
of his nest. Its coarse material and rough masonry are creditable neither
to his skill as a workman nor to his taste as an artist. I am the more
forcibly reminded of his deficiency in this respect from observing yonder
humming-bird's nest, which is a marvel of fitness and adaptation, a proper
setting for this winged gem,--the body of it composed of a white,
felt-like substance, probably the down of some plant or the wool of some
worm, and toned down in keeping with the branch on which it sits by minute
tree-lichens, woven together by threads as fine and frail as gossamer.
From Robin's good looks and musical turn we might reasonably predict a
domicile of equal fitness and elegance. At least I demand of him as clean
and handsome a nest as the king-bird's, whose harsh jingle, compared with
Robin's evening melody, is as the clatter of pots and kettles beside the
tone of a flute. I love his note and ways better even than those of the
orchard starling or the Baltimore oriole; yet his nest, compared with
theirs, is a half-subterranean hut contrasted with a Roman villa. There is
something courtly and poetical in a pensile nest. Next to a castle in the
air is a dwelling suspended to the slender branch of a tall tree, swayed
and rocked forever by the wind. Why need wings be afraid of falling? Why
build only where boys can climb? After all, we must set it down to the
account of Robin's democratic turn; he is no aristocrat, but one of the
people; and therefore we should expect stability in his workmanship,
rather than elegance.
Public-domain text, read in full here on John Shaqi.
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