The paintings of the “Landing of Columbus,” “Discovery of the Mississippi,” “Baptism of Pocahontas,” and “Embarkation of the Pilgrims” are from the brushes of Vanderlyn, Powell, Chapman, and Weir respectively. Their subjects permit of picturesque costumes and dramatic groupings which Trumbull could not use. But whatever his limitations, we owe to him, probably more than to any other one man, the rotunda as we know it. Bulfinch had under consideration various schemes of treatment for the center of the building, but Trumbull’s foremost thought was of a good light for his pictures; and, as he was a valued friend of the architect, the pertinacity with which he urged this design won the day. Four doors pierce the circular chamber, and over each is a rectangle of sculpture in high relief. As works of art, the quartet are little short of execrable, but as milestones on the path of esthetic development in America they have a charm of their own. All were the work of Italian sculptors, whose acquaintance with our domestic history and concerns was presumptively scant; and when the tablet showing William Penn negotiating his treaty with the Indians was first exhibited to the public, the head of the gentle Quaker was adorned with a cocked hat and military queue. It was necessary, therefore, to decapitate him and set upon his shoulders the head he now wears. All four reliefs deal with our aboriginal problem. In one, the Indians are welcoming the Pilgrim Fathers with a gift of corn; in another, they are conveying to Penn the land on which Philadelphia now stands; in a third, Pocahontas is saving the life of Captain John Smith; while in the fourth, Caucasian civilization, personified in Daniel Boone, has already killed one Indian and is engaged in bloody combat with a second. The series drew from an old chief the comment that they told the true story of the way the white race had repaid the hospitality of the red race by exterminating it; and another observer, pointing to the huddled-up body of the fallen Indian under Boone’s foot, remarked: “The white man has not left the Indian land enough even to die on!”