Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) WALKS IN ROME TWO VOLS.--I. WALKS IN ROME BY AUGUSTUS J. C. HARE AUTHOR OF "MEMORIALS OF A QUIET LIFE," "WANDERINGS IN SPAIN," ETC. TWO VOLUMES.--I. _FIFTH EDITION_ LONDON DALDY, ISBISTER & CO. 56, LUDGATE HILL 1875 [_All rights reserved_] JOHN CHILDS AND SON, PRINTERS. TO HIS DEAR MOTHER THE CONSTANT COMPANION OF MANY ROMAN WINTERS These pages are Dedicated BY THE AUTHOR. CONTENTS. INTRODUCTORY. PAGE THE ARRIVAL IN ROME 9 CHAPTER I. DULL-USEFUL INFORMATION 27 CHAPTER II. THE CORSO AND ITS NEIGHBOURHOOD 36 CHAPTER III. THE CAPITOLINE 109 CHAPTER IV. THE FORUMS AND THE COLISEUM 159 CHAPTER V. THE VELABRUM AND THE GHETTO 221 CHAPTER VI. THE PALATINE 273 CHAPTER VII. THE CŒLIAN 316 CHAPTER VIII. THE AVENTINE 348 CHAPTER IX. THE VIA APPIA 372 CHAPTER X. THE QUIRINAL AND VIMINAL 433 INTRODUCTORY. THE ARRIVAL IN ROME. "Again this date of Rome; the most solemn and interesting that my hand can ever write, and even now more interesting than when I saw it last," wrote Dr. Arnold to his wife in 1840--and how many thousands before and since have experienced the same feeling, who have looked forward to a visit to Rome as one of the great events of their lives, as the realization of the dreams and longings of many years. An arrival in Rome is very different to that in any other town of Europe. It is coming to a place new and yet most familiar, strange and yet so well known. When travellers arrive at Verona, for instance, or at Arles, they generally go to the amphitheatres with a curiosity to know what they are like; but when they arrive at Rome and go to the Coliseum, it is to visit an object whose appearance has been familiar to them from childhood, and, long ere it is reached, from the heights of the distant Capitol, they can recognize the well-known form;--and as regards St. Peter's, who is not familiar with the aspect of the dome, of the wide-spreading piazza, and the foaming fountains, for long years before they come to gaze upon the reality?