Walks in RomeHare, Augustus J. C. (Augustus John Cuthbert)
History
Walks in Rome
Hare, Augustus J. C. (Augustus John Cuthbert)
Rome (Italy) -- Description and travel
A small increase of width in the Corso is now dignified by the name of
the _Piazza Sciarra_. The street which turns off hence, under an arch
(Via de Muratte, on the left), leads to the _Fountain of Trevi_, erected
in 1735 by Niccolo Salvi for Clement XII. The statue of Neptune is by
Pietro Bracci.
"The fountain of Trevi draws its precious water from a source far
beyond the walls, whence it flows hitherward through old
subterranean aqueducts, and sparkles forth as pure as the virgin
who first led Agrippa to its well-springs by her father's door. In
the design of the fountain, some sculptor of Bernini's school has
gone absolutely mad, in marble. It is a great palace-front, with
niches and many bas-reliefs, out of which looks Agrippa's legendary
virgin, and several of the allegoric sisterhood; while at the base
appears Neptune with his floundering steeds and tritons blowing
their horns about him, and twenty other artificial fantasies, which
the calm moonlight soothes into better taste than is native to
them. And, after all, it is as magnificent a piece of work as ever
human skill contrived. At the foot of the palatial façade, is
strown, with careful art and ordered regularity, a broad and broken
heap of massive rock, looking as if it may have lain there since
the deluge. Over a central precipice falls the water, in a
semicircular cascade; and from a hundred crevices, on all sides,
snowy jets gush up, and streams spout out of the mouths and
nostrils of stone monsters, and fall in glistening drops; while
other rivulets, that have run wild, come leaping from one rude step
to another, over stones that are mossy, shining and green with
sedge, because, in a century of their wild play, nature has adopted
the fountain of Trevi, with all its elaborate devices, for her own.
Finally the water, tumbling, sparkling, and dashing with joyous
haste and never ceasing murmur, pours itself into a great marble
basin and reservoir, and fills it with a quivering tide; on which
is seen, continually, a snowy semi-circle of momentary foam from
the principal cascade, as well as a multitude of snow-points from
smaller jets. The basin, occupies the whole breadth of the piazza,
whence flights of steps descend to its border. A boat might float,
and make mimic voyages, on this artificial lake.
Public-domain text, read in full here on John Shaqi.
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