Nearly two centuries after Monteith's time, John Thomson, the famous
painter, was minister of Duddingston. He was born near Girvan in
1778, and in 1805 was given the living of Duddingston, where he spent
the remaining thirty-five years of his life. From his boyhood he had
been devoted to art. Nasmyth was his master, but he greatly formed
his style on that of Claude Lorraine. Like him, he possessed, in an
unusual degree, the art of pictorial composition. His chiaroscuro
was bold and effective, his colouring agreeable, and an undefinable
charm is given to his pictures by the poetical suggestiveness that
underlies them. His works are greatly valued. Two very fine examples
hang in the Scottish National Gallery. Thomson was a great friend of
Sir Walter Scott, for whom he painted the picture of Fast Castle, now
at Abbotsford. He formed one of the brilliant circle which was then
the glory of Edinburgh.
Leaving Duddingston, we enter the Queen's Park, and, struggling with
difficulty up the steep, rocky pass, called Windygoul (where even
on the calmest day gusts are always eddying), we see before and
above us the grand basaltic columns known as "Samson's Ribs." To
the left, down the slope, are the Wells o' Wearie, often celebrated
in song;[43] and before us lies St. Leonards, so imperishably
associated with _The Heart of Midlothian_, that a cottage used to
be pointed out as that of "Douce Davie Deans." Now even that has
disappeared, in the wilderness of new houses that has completely
changed St. Leonards. The eastern side of the crags, being within the
boundary of the park, alone retains its original character.
[43] Two of these songs, being less well known than others, I quote
from the versions given me by Lady John Scott.
THE WATER O' WEARIE'S WELL.
There cam a bird out o' a bush
On water for to dine,
And sighing sair, said the King's dochter,
"O! wae's this heart o' mine."
He's ta'en a Harp into his hand,
He's harped them a' asleep,
Except it was the King's dochter,
Who ae wink couldna get.
He's luppen on his berry-brown steed,
Ta'en her on behind himsel',
And they rade down to that water
That they ca' Wearie's Well.
"Wade in, wade in, my ladye fair,
Nae harm shall thee befa'.
Aft times I hae watered my guid steed
Wi' the water o' Wearie's Well."
The first step she steppit in,
She steppit to the knee,
And sighin' said this ladye fair,
"This water's no' for me."
"Wade in, wade in, my ladye fair,
Nae harm shall thee befa'.
Aft times I hae watered my guid steed
Wi' the water o' Wearie's Well."
The next step that she stepped in,
She steppit to the middle,
And sighin' said that ladye fair,
"I've wat my golden girdle."
"Wade in, wade in, my ladye fair,
Nae harm shall thee befa'.
Aft times I hae watered my guid steed
Wi' the water o' Wearies Well."
Public-domain text, read in full here on John Shaqi.
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