Great Britain -- History -- 18th century -- Sources; Pitt, William, Earl of Chatham, 1708-1778; Walpole, Robert, Earl of Orford, 1676-1745
[Captain Porteous was thereupon tried and condemned for murder, but he
was reprieved, to the fury of the populace. A contemporary account of
the sequel is to be found in the same volume of the _Gentleman's
Magazine_, p. 549.]
_Tuesday, 7 September._ Betwixt 9 and 10 at Night, a Body of Men enter'd
the West Port of _Edinburgh_, seiz'd the Drum, beat to Arms, and calling
out, _Here! All those who dare avenge innocent Blood!_ were instantly
attended by a numerous Crowd. Then they seized and shut up the City
Gates, and posted Guards at each to prevent Surprise by the King's
Forces, while another Detachment disarm'd the City Guards, and advanced
immediately to the Tolbooth or Prison, where not being able to break the
Door with hammers _&c._ they set it on Fire, but at the same Time
provided Water to keep the Flame within the Bounds. Before the outer
Door was near burnt down several rush'd thro' the Flames and oblig'd the
Keeper to open the inner Door and going into Capt. _Porteous'_
Apartment, call'd, _Where is the Villain Porteous?_ who said I'm here,
what is it you are to do with me? To which he was answered, We are to
carry you to the Place where you shed so much innocent Blood and Hang
you. He made some Resistance, but was soon overcome, for while some set
the whole Prisoners at Liberty, others caught him by the Legs and
dragged him down Stairs, and then led him to the _Grass Market_, where
they agreed to Hang him without further Ceremony.... After he had hung
till suppos'd to be dead, they nail'd the Rope to the Post, then
formally saluting one another, grounded their Arms, and on t'other Rapp
of the Drum retir'd out of Town."
LORD CHESTERFIELD'S SPEECH ON THE BILL FOR THE ESTABLISHMENT OF THE
CENSORSHIP OF STAGE PLAYS (1737).
+Source.+--_Parliamentary History_, 1812. Vol. x., pp. 327-331, 338, 339.
My Lords; the Bill now before you I apprehend to be of a very
extraordinary, a very dangerous nature. It seems designed not only as a
restraint on the licentiousness of the stage, but it will prove a most
arbitrary restraint on the liberty of the stage; and I fear it looks yet
farther. I fear it tends towards a restraint on the liberty of the
press, which will be a long stride towards the destruction of liberty
itself....
Public-domain text, read in full here on John Shaqi.
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