Walt Whitman in Mickle StreetKeller, Elizabeth Leavitt
General
Walt Whitman in Mickle Street
Keller, Elizabeth Leavitt
Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892 -- Homes and haunts
Three wooden steps without a banister led from the sidewalk to the front
door, which had to be closed to allow those who entered to ascend the
stairs. This narrow staircase, an equally narrow hall and two connecting
rooms called "the parlors" comprised the first floor of the main
building. Between the parlors were folding doors, and each room had an
exit into the hall. There were two windows in the front parlor and a
single one in the back. Between and under the front windows was an
entrance to the cellar, with old-fashioned slanting doors.
The rear and smaller portion of the house was divided into but two
apartments, the kitchen below and a sleeping room above. At the back of
the kitchen was a small shed, and quite a large yard. Some people
believed that this yard, with its pear tree and grape vine, had been the
main attraction of the place for Mr. Whitman.
On ascending the staircase, a small landing and the back sleeping room
were reached; then, turning about, came more stairs, with a larger
landing, part of which had been made into a clothespress. Apart from
this landing and a little den, sometimes known as "the anteroom," the
upper portion of the main building had only one room. But the two doors
in it, and a deep rugged scar across the low ceiling, testified to its
having formerly been divided by a partition. As one of the doors was
permanently fastened, the only access was through the den, anteroom, or
"adjoining apartment," as it was also occasionally called.
In the larger room was a fireplace with a mantel shelf above. There were
two windows corresponding with the windows below, while the smaller room
or den, reduced to one-half its proper width by some pine shelves and an
outjutting chimney, had like the room below but one. The outlook from
this window, into which the sun made but a few annual peeps, was the
brick wall on one side, the back roof on the other, and a glimpse of the
sky.
The situation of the house was anything but inviting, and the locality
was one that few would choose to live in. It was near both depot and
ferry, and as the tracks were but a block away, or scarcely that, being
laid in what would have been the centre of the next street, there was
an uninterrupted racket day and night. The noise of the passenger and
excursion trains--for the excursions to the coast went by way of
Camden--was only a minor circumstance compared with that of the freight
trains as they thundered by, or passed and re-passed in making up.
Close at hand was a church with a sharp-toned bell, and a "choir of most
nerve-unsettling singers" (_Thomas Donaldson_); and as if this were not
enough, there was at times a most disagreeable odor from a guano factory
on the Philadelphia side of the Delaware.
Public-domain text, read in full here on John Shaqi.
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