Norway -- Fiction; Norwegian fiction -- Translations into English
The Captain was in good spirits; he had been more communicative than
ever before; he nodded to me as he went off. Just as of old he was
now--quick and determined, taking an interest in his affairs once more,
and sober as water. I felt cheered myself to see him so. He was no
wastrel; he had had a spell of foolishness and dissipation, but it
needed only his own resolution to put an end to that. An oar in the
water looks broken to the eye, but it is whole.
* * * * *
It set in to rain, and I had to stop work on the painting. Nils had been
lucky enough to get in all the hay that was cut; we got to work now on
the potatoes, all hands out in the fields at once, with the women folk
from the house as well.
Meanwhile the Captain stayed indoors all alone; it was dull enough; now
and again he would touch the keys of Fruen's piano. He came out once
or twice to where we were at work, and he carried no umbrella, but let
himself get drenched to the skin.
“Grand weather for the crops!” he would say; or again, “Looks like being
an extra special harvest this year!” But when he went back to the house
there was only himself and loneliness to meet him. “We're better off
ourselves than he is now,” said Nils.
So we worked away at the potatoes, and when they were done there were
the turnips. And by the time we were through with them the weather began
to clear. Ideal weather, all that one could wish for. Nils and I were as
proud of it all as if we owned the place.
And now the haymaking began in earnest: the maids were out, spreading in
the wake of the machine, and Grindhusen was set to work with a scythe in
the corners and awkward parts where the machine could not go. And I got
out my stone-grey paint and set about the house.
The Captain came up. “What colour's that you've got here?” he asked.
What could I say to that? I was nervous, I know, but my greatest fear
was lest I should not be allowed to paint it grey after all. As it was,
I said:
“Oh, it's only some ... I don't know ... it doesn't matter what we put
on for the first coat....”
That saved me for the time being, at any rate. The Captain said no more
about it then.
When I had done the house all grey, and doors and windows white, I
went down to the summer-house and did that the same. But it turned out
horrible to look at; the yellow underneath showed through and made it
a ghastly colour. The flagstaff I took down and painted a clean white.
Then I put in a spell of field-work with Nils and was haymaking for some
days. Early in August it was.
Public-domain text, read in full here on John Shaqi.
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