Norway -- Fiction; Norwegian fiction -- Translations into English
I got into talk with one of the farm-hands, a young fellow. He got two
hundred Kroner a year, he said, besides his board. Up at half-past six
in the morning to feed the horses, or half-past five in the busy season.
Work all day, till eight in the evening. But he was healthily content
with his life in that little world. I remember his fine, strong set of
teeth, and his pleasant smile as he spoke of his girl. He had given her
a silver ring with a gold heart on the front.
“And what did she say to that?”
“Well, she was all of a wonder, you may be sure.”
“And what did you say?”
“What I said? Why, I don't know. Said I hoped she'd like it and welcome.
I'd like to have given her stuff for a dress as well, but....”
“Is she young?”
“Why, yes. Talk away like a little jews' harp. Young--I should think
so.”
“And where does she live?”
“Ah, that I won't say. They'd know it all over the village if I did.”
And there I stood like another Alexander, so sure of the world, and half
contemptuous of this boy and his poor little life. When we went away, I
gave him one of my rugs; it was too much of a weight to go carrying two.
He said at once he would give it to his girl; she would be glad of a
nice warm rug.
And Alexander said: If I were not myself I would be you....
When Falkenberg had finished and came out, he was grown so elegant in
his manners all at once, and talked in such a delicate fashion, I could
hardly understand him. The daughter of the house came out with him. We
were to pass on without delay, he said, to the farm adjacent; there
was a piano there which needed some slight attention. And so _“Farvel,
Frøken, Farvel.”_
“Six Kroner, my boy,” he whispered in my ear. “And another six at the
next place, that's twelve.”
So off we went, and I carried our things.
XIV
Falkenberg was right; the people at the next farm would not be outdone
by their neighbours; their piano must be seen to as well. The daughter
of the house was away for the moment, but the work could be done in her
absence as a little surprise for her when she came home. She had
often complained that the piano was so dreadfully out of tune it was
impossible to play on it at all. So now I was left to myself again as
before, while Falkenberg was busy in the parlour. When it got dark he
had lights brought in and went on tuning. He had his supper in there
too, and when he had finished, he came out and asked me for his pipe.
“Which pipe?”
“You fool! the one with the clenched fist, of course.”
Somewhat unwillingly I handed him my neatly carved pipe; I had just got
it finished; with the nail set in and a gold ring, and a long stem.
“Don't let the nail get too hot,” I whispered, “or it might curl up.”
Falkenberg lit the pipe and went swaggering up with it indoors. But he
put in a word for me too, and got them to give me supper and coffee in
the kitchen.
I found a place to sleep in the barn.
Public-domain text, read in full here on John Shaqi.
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