Norway -- Fiction; Norwegian fiction -- Translations into English
I walked all the way home with Lars, talking over old times, and of his
new place, and of the people at Øvrebø. It seemed that the Captain was
not looked up to with the same respect as before; he was no longer the
spokesman of the district, and neighbours had ceased to come and ask his
help and advice. The last thing of any account he did was to have the
carriage drive altered down to the high road, but that was five years
ago. The buildings needed painting, but he had put it off and never had
it done; the road across the estate was in disrepair, and he had felled
too much timber by far. Drink? Oh, so folk said, no doubt, but it
couldn't be fairly said he drank--not that way. Devil take the gossiping
fools. He drank a little, and now and again he would drive off somewhere
and stay away for a bit; but when he did come home again things never
seemed to go well with him, and that was the pity of it! An evil spirit
seemed to have got hold of him, said Lars.
And Fruen?
Fruen! She went about the house as before, and played on her piano, and
was as pretty and neat as ever any one could wish. And they keep open
house, with folk for ever coming and going; but taxes and charges on
this and that mount up, and it costs a deal to keep up the place, with
all the big buildings to be seen to. But it is a sin and a shame for
the Captain, and Fruen as well, to be so dead-weary of each other, you'd
never think. If they do say a word to each other, it's looking to the
other side all the time, and hardly opening their lips. They barely
speak at all, except to other people month after month the same. And all
summer the Captain's out on manoeuvres, and never comes home to see how
his wife and the place are getting on. “No, they've no children; that's
the trouble,” says Lars.
Emma comes out and joins us. She looks well and handsome still, and I
tell her so.
“Emma?” says Lars. “Ay, well, she's none so bad. But she's for ever
having children, the wretch!” and, pouring out a drink from his
half-bottle, he forces her to drink it off. Now Emma presses us to come
in; we might just as well be sitting down indoors as standing about out
here.
“Oh, it's summer now!” says Lars, evidently none so anxious to have me
in. Then, when I set off for home, he walks down again with me a bit of
the way, showing me where he's dug and drained and fenced about his bit
of land. Small as it is, he has made good and sensible use of it. I
find a strange sense of pleasure coming over me as I look at this cosy
homestead in the woods. There is a faint soughing of the wind in the
forest behind; close up to the house are foliage trees, and the aspens
rustle like silk.
I walk back home. Night is deepening; all the birds are silent; the air
calm and warm, in a soft bluish gloom.
* * * * *
“Let us be young to-night!” It is a man's voice, loud and bright, from
behind the lilacs. “Let's go and dance, or do something wild.”
Public-domain text, read in full here on John Shaqi.
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