This was his ordained fate; this was his brave, new world; these people
were his subjects. And he was, for howsoever brief or long a time, an
Emperor. And the white, the whirling stars--these were his empire!
Perhaps he was not the only one of that group who saw this truth. For
there was more than mere grudging lip-service in the changed attitude
of Andrews and his wife and son. Bert Andrews was a changed boy. His
wilfulness had vanished; his allegiance to Greg was ardent. Maud
Andrews' affection for Greg was an obvious thing. She saw to it that he
was first fed, first clothed, first taken care of in all things; hers
was an attitude of fierce maternalism, springing from a breast that had
never known motherhood.
And--and there was another strange thing, too. A thing of singing
glory that Greg could scarce believe, even though its truth was
exhibited to him in a thousand little ways.
Crystal Andrews!
A great change had come upon Crystal Andrews since the loss of the
_Carefree_. Of the old Crystal, only one part remained. Her blindingly
radiant beauty. Her selfishness, her coldness, had fled, had been
banished as her accustomed languidness had been banished by the
obligation of labor.
Daily her attitude toward Greg grew more intimate. From aloofness she
melted into acceptance, acceptance faded and became approval. Approval
waxed as transpiring events proved time and again Greg's wisdom and his
right to rule; there came upon the girl an eagerness to be the first to
do whatever he suggested.
This was good, and as it should be. But there was something else, too;
something deeper. At first Greg could not understand it, then gradually
its meaning became clear even to his wholly-masculine mind. The sudden
glance ... the lingering touch of hand against hand as they chanced
to pass one another ... the host of unnecessary little questions that
brought them into contact a dozen times a day ... the sweeping flush
when he, looking up unexpectedly, met her gaze. All these and other
things. The lithe, sure, free, but overwhelmingly feminine allure of
her body, shoulder brushing his as they sat before the fireplace in the
long evenings. The slow caress of her voice when she spoke his name.
The moment of swift alarm--a torpid snake that had somehow wriggled
into the cavern, toward the warmth of the fire--and Crystal in his
arms for all too short a moment. And drawing away reluctantly when the
"danger" was past.
* * * * *
He should have known from these things. Or from the amused glances of
Sparks Hannigan, or the increased surliness of Ralph Breadon, or from
the sudden loss of gaiety on the part of 'Tina.
"What's the matter with you, 'Tina? Don't you feel well lately?"
Her eyes avoiding his. "I'm all right, Greg. It's nothing."
"But you don't sing any more. You're sure you're well? There's nothing
I can do for you?"
"No." Her voice low. "No, thank you."
Public-domain text, read in full here on John Shaqi.
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