Wanderings in Corsica: Its History and Its Heroes. Vol. 1 of 2Gregorovius, Ferdinand
History
Wanderings in Corsica: Its History and Its Heroes. Vol. 1 of 2
Gregorovius, Ferdinand
Corsica (France) -- Description and travel; Corsica (France) -- History
"I have read in your garden and in your room, signore, the _Contrat
Social_ of Rousseau, and some of the _Republic_ of Plato. You show me
that you are the countryman of the great Pasquale."
We talked long on a great variety of subjects--on civilisation and on
barbarism, and how impotent theory was proving itself. But these are
old affairs, that every reflecting man has thought of and talked about.
Much musing on this interview, I went down to the grotto after taking
leave of the singular man, who had realized for me so unexpectedly the
creation of the poet. After all, this is a strange island. Yesterday a
bandit who has murdered ten men out of _capriccio_, and is being led
to the scaffold; to-day a practical philosopher, and philanthropic
advocate of universal brotherhood--both equally genuine Corsicans,
their history and character the result of the history of their nation.
As I passed under the fair trees of the garden, however, I said to
myself that it was not difficult to be a philanthropist in paradise. I
believe that the wonderful power of early Christianity arose from the
circumstance that its teachers were poor, probably unfortunate men.
There is a Corsican tradition that St. Paul landed on Cape Corso--the
Promontorium Sacrum, as it was called in ancient times--and there
preached the gospel. It is certain that Cape Corso was the district of
the island into which Christianity was first introduced. The little
region, therefore, has long been sacred to the cause of philanthropy
and human progress.
The daughter of one of the gardeners led me to the grotto. It is
neither very high nor very deep, and consists of a series of chambers,
easily traversed. Lamps hung from the roof. The girl lighted them,
and left me alone. And now a pale twilight illuminated this beautiful
crypt, of such bizarre stalactite formations as only a Gothic
architect could imagine--in pointed arches, pillar-capitals, domed
niches, and rosettes. The grottos of Corsica are her oldest Gothic
churches, for Nature built them in a mood of the most playful fantasy.
As the lamps glimmered, and shone on, and shone through, the clear
yellow stalactite, the cave was completely like the crypt of some
cathedral. Left in this twilight, I had the following little fantasy in
stalactite--
Public-domain text, read in full here on John Shaqi.
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