Dezio grew weary of the world, and became a monk. So pure and God-fearing was his walk, that he was beloved by all till the day of his death; and the blessing of his pious and peace-making spirit diffused itself far and wide among the hills. On his burial-day, the villages of all the region accompanied him to his grave; and still in the pieve of Moriani they speak of Dezio the comely youth, Dezio the murderer, Dezio the bandit, Dezio the monk, Dezio the priest, Dezio the saint. CHAPTER V. THE ENVIRONS OF SARTENE. Sartene is encircled by a range of bleak mountains, to the north of which stand the Incudine and Coscione. The Coscione is celebrated for its rich pasture-grounds, which are watered by the beautiful streams of the Bianca and the Viola. To these grounds the herdsmen of Quenza bring their flocks in summer, spending the winter on the coast of Porto Vecchio. One of the mountains in the neighbourhood of Sartene is an immense rock of a very remarkable shape; its appearance from a distance is that of a giant lifting his monstrous and misshapen head into the clouds. The mountain goes by the name of the Man of Cogna. In this part of the country are also to be found the remains of Menhirs and Dolmens—those ancient mementos of the Sabian ritual, which are not unfrequently met with in the islands of the Mediterranean, and in countries inhabited by Celtic nations. They consist of stones—not very unlike pillars—placed in a circle, and are here called Stazzone. Corsica has preserved but few remains of these heathen temples; but they are peculiarly abundant in Sardinia. I regretted exceedingly that I had no time, when in Sartene, to pay a visit to these curious remains. On the surrounding mountains stand ruins of many of the old castles of the brave Renuccio, and the famous Giudice della Rocca. The estates of these old seigniors lay in the neighbourhood of Sartene. The canton of Santa Lucia de Tallano still preserves a memorial of Renuccio in the ruins of the Franciscan convent which was founded by this brave hero, with whom fell the power of the old Corsican barons. In the church is shown the tomb of his daughter Serena, with a marble statue of her in a recumbent posture, a chaplet in her hand, and attached to it a gold purse, as a symbol of her great benevolence.