Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
I may here mention some fountains of a very corrupt _rococo_ style,
but very amusing; the bridge of Toledo, a specimen of bad taste,
very rich and highly ornamented with ovalos and chicory leaves,
and a few strangely-variegated churches surmounted by Muscovite
turrets. We will now direct our steps towards the Buen Retiro, a
royal residence situated at the distance of a few paces from the
Prado. We Frenchmen, who possess Versailles and Saint Cloud, and
could formerly boast of Marly, are difficult to please in the
matter of royal residences. The Buen Retiro strikes us as being
the realization of the dreams of some well-to-do tallowchandler.
It is a garden filled with the most ordinary but glaring flowers,
and little basins ornamented with vermicular rustic rock-work, and
small fountains like those we see in certain fishmongers' shops.
It also contains pieces of green water, on which swim wooden swans
painted white and varnished, besides an infinity of other marvels
of a very ordinary description. The natives fall into ecstasies
before a certain rustic pavilion built of small round blocks, the
interior of which has rather strong claims to being considered
Hindoo in style. The first _Jardin Turc_ at Paris, the primitive
and patriarchal _Jardin Turc_, with its kiosks and windows filled
with small coloured panes, through which you saw a blue, green, or
red landscape, was far superior both in taste and magnificence.
There is also a certain Swiss cottage, which is the most ridiculous
and absurd affair it is possible to imagine. At the side of this
cottage is a stable, furnished with a goat and a kid both stuffed,
and also with a sow of grey stone, suckling a litter of young
pigs of the same material. A few paces from the cottage the guide
suddenly leaves you, and opens the door in a mysterious manner.
When, at last, he calls you and gives you leave to enter, you hear
low rumbling of wheels and balance-weights, and find yourself in
the presence of a number of frightful automatons, who are churning,
spinning, or rocking, with their wooden feet, children equally
wooden, and sleeping in carved cradles: in the next room is the
grandfather ill in bed, while his medicine is standing on a table
beside him. Such is a very accurate summary of the principal
wonders of the Buen Retiro. A fine equestrian statue in bronze of
Philip V., the pose of which resembles that of the statue of Louis
XIV. in the Place des Victoires at Paris, makes up in some degree
for all these absurdities.
[Illustration: MADRID.]
Public-domain text, read in full here on John Shaqi.
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