Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
As soon as our luggage had been examined, our first care was to
find some _fonda_ or _parador_, for it was a long time since we
had eaten our eggs at Illescas. We were conducted, through a
number of streets so narrow that two loaded asses could not pass
abreast, to the _fonda del Caballero_, one of the most comfortable
establishments in the town. Calling to our aid the little Spanish
we knew, and indulging in the most pathetic kind of pantomime, we
succeeded in explaining to our hostess, who was a most gentle and
charming woman, of a highly interesting and lady-like appearance,
that we were dying of hunger, a fact which always seems greatly to
astonish the natives of the country, who live upon sunshine and
air, after the very economical fashion of the chameleon.
The whole tribe of cooks and scullions were immediately in a
state of commotion. The innumerable little saucepans in which the
highly-spiced ragouts of the Spanish kitchen are distilled and
concocted were placed on the fire, and we were promised dinner
in an hour's time. We took advantage of this hour to examine the
_fonda_ more minutely.
It was a fine building, which had, no doubt, formerly been the
residence of some nobleman. The inner courtyard was paved with
coloured marble mosaic, and ornamented with wells of white marble
and large troughs lined with porcelain for washing the glasses and
crockery. This courtyard is called the _patio_, and is generally
surrounded by columns and galleries, with a fountain in the middle.
A cloth _tendido_, which is rolled up in the evening in order to
leave a free passage for the cool night-air, serves as a ceiling
to this kind of drawing-room. On the first story, all around,
there runs an elegantly-worked iron balcony, on which the windows
and doors of the apartments open, which apartments you only enter
when you wish to dress, dine, or take your siesta. The rest of the
time you sit in the courtyard-drawing-room aforesaid, in which the
pictures, chairs, sofas, and piano are placed, and which is decked
out with flower-pots and boxes containing orange-trees.
We had hardly finished our inspection when Celestina (a fantastic
and strange-looking servant-girl) came to inform us, humming a tune
all the while, that dinner was ready. It was very respectable,
consisting of cutlets, eggs with tomatoes, fowls fried in oil, and
trout from the Tagus, to which was added a bottle of Peralta, a
warm, liqueur-like wine, with a certain slight perfume of muscat,
not at all disagreeable.
When we had finished our repast we strolled through the city,
preceded by a guide, who was a barber by profession, but exercised
his talents in showing about tourists during his leisure moments.
Public-domain text, read in full here on John Shaqi.
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