Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
The façade, which is ornamented with florid arabesques in the
purest style of the Renaissance, is a masterpiece of elegance and
nobleness. The burning sun of Spain, which reddens the marble and
dyes the stone with a tint of saffron, has clothed it in a robe of
rich, strong colour, very different from the black leprosy with
which past centuries have encrusted our old edifices. According
to the expression of a great poet; Time, who is so intelligent,
has passed his thumb over the angles of the marble and its too
rigid outlines, and given the finishing touch, the last degree
of polish, to this sculpture, already so soft and so supple. I
particularly remember a staircase of the most fairy-like elegance,
with marble columns, balustrades and steps, already half-crumbled
away, conducting to a door which looks out upon an abyss, for this
portion of the edifice has fallen down. This admirable staircase on
which a king might be content to live, and which leads to nothing,
possesses a certain indefinite air of singularity and grandeur.
The Alcazar is erected upon an esplanade, surrounded by battlements
in the Moorish style, from which you enjoy an immense view, a truly
magical panorama. Here the cathedral pierces the sky with its
extraordinarily lofty spire; further on, in the sunshine, sparkles
the church of _San Juan de los Reyes_; the bridge of Alcantara,
with its tower-like gateway, throws its bold arches across the
Tagus; the _Artificio de Juanello_ obstructs the stream with
its arcades of red brick, which might be taken for the ruins of
some Roman edifice, while the massive towers of the _Castillo_
of Cervantes (a Cervantes who has nothing in common with the
author of Don Quixote) perched upon the rugged, misshapen rocks
that run along the sides of the river, add one denticulation more
to the horizon already so profusely indented by the vertebrated
mountain-crests.
An admirable sunset completed the picture: the sky, by the most
imperceptible gradations, passed from the brightest red to an
orange colour, and then to a pale lemon tint in order to become of
a strange blue, like a greenish turquoise, which last tint subsided
in the west into the lilac-colour of night, whose shadow already
cast a coolness over the place where I stood.
Public-domain text, read in full here on John Shaqi.
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