Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
Never did nightmare, placing its knee on the chest of a delirious
patient, produce a more frightful monster. Quasimodo is a very
Phœbus by the side of it. A square forehead, two sunken eyes,
glaring with a savage fire, a nose so flat that its place was
distinguished only by the nostrils, with the lower jaw advancing
full two inches beyond the upper one--such, in a few words, is
the portrait of this scarecrow, the profile of which formed a
concave line, like those crescents on which the face of the moon is
represented in the almanack of Liege. The calling of this wretch
consisted in being without a nose, and in imitating dogs, a calling
which he exercised wonderfully well, for he was more noseless than
death himself, and made alone more uproar than all the inmates put
together of the Barrière du Combat at feeding-time.
Puerto Lapiche consists of a few tumbling-down huts, huddled
together on the declivity of a hill which is itself full of
cracks and chasms, and become so dry and rotten by the heat that
it is continually giving way and being torn asunder by the most
curiously-shaped rents. It represents aridity and desolation
in its highest degree. Everything is of the colour of cork and
pumice-stone. The fire of heaven seems to have passed over it; and
the whole scene is smothered by grey dust, as fine as powdered
sandstone. This wretchedness is so much the more heartrending as
the lustre of an implacable sky makes the whole poverty of the
place most prominently apparent. The cloudy melancholy of the
north is nothing in comparison with the luminous sadness of warm
countries.
On beholding such wretched hovels, you feel yourself full of
pity for the robbers who are obliged to live by marauding in a
country where you might make a round of ten leagues and not find
wherewithal to cook an egg. The resources offered by the diligences
and galleys are really insufficient, and the poor brigands who
vegetate in La Mancha are often obliged to be contented with a
supper composed of a handful of those sweet acorns which were the
delight of Sancho Panza. What is it possible to take from people
who have neither money nor pockets, who live in houses of which
the whole furniture is composed of four bare walls, and whose only
utensils are a saucepan and an earthenware pitcher? To pillage such
villages appears to me one of the most lugubrious fancies which can
well enter the head of a robber out of work.
A little beyond Puerto Lapiche you enter La Mancha, where we
perceived to our right two or three windmills, which lay claim to
having victoriously sustained the shock of Don Quixote's lance,
and which, for the moment, were listlessly turning their fans with
the aid of an asthmatic breeze. The _venta_ at which we stopped
to imbibe two or three jars of fresh water, also boasts of having
entertained the immortal hero of Cervantes.
Public-domain text, read in full here on John Shaqi.
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