Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
When the conversation flags, one of the gentlemen takes down a
guitar, and, scratching the cords with his nails and keeping
time with the palm of his hand on the centre of the instrument,
begins to sing some gay Andalusian song or some comic couplet,
interspersed with _Ay!_ and _Ola!_ curiously modulated and
productive of a very singular effect. Then a lady sits down to
the piano, and plays a _morceau_ from Bellini, who appears to
be the favourite maestro of the Spaniards, or sings a romance
of Breton de los Herreros, the great versifier of Madrid. The
evening is terminated by a little extempore ball, at which, alas!
they dance neither jota, nor fandango, nor bolero, these dances
being abandoned to peasants, servants, and gipsies; but they dance
quadrilles, rigadoons, and sometimes they waltz. At our request,
however, two young ladies of the house volunteered to execute the
bolero one evening; but, before they commenced, they took care to
close the door and windows of the _patio_, which are generally left
open, so afraid were they of being accused of bad taste and local
colouring. In general, the Spaniards grow angry on being spoken
to of cachuchas, castanets, majos, manolas, monks, smugglers, and
bull-fights, though they have, in reality, a great liking for
all these things, so truly national and characteristic. They ask
you, with an air of apparent vexation, if you do not think that
they are as far advanced in civilization as yourself? To such an
extent has the deplorable mania of imitating everything, French or
English, penetrated everywhere! At present, Spain represents the
Voltaire-Touquet system and the _Constitutionnel_ of 1825; that is,
it is hostile to all colouring and to all poetry. Be it remembered,
however, that we are only speaking of the self-styled enlightened
class inhabiting the cities.
As soon as the quadrilles are over, you take your leave by saying,
"_A los pies de vd._" to the lady of the house, and "_Beso à vd. la
mano_" to her husband; to which they reply, "_Buenas noches_," and
"_Beso à vd. la suya_:" and then again on the threshold, as a last
adieu, "_Hasta mañana_" (till to-morrow); which is an invitation
to return. In spite of their familiar ways, the people of even
the lower classes, the peasants and vagrants, make use towards
one another of the most exquisite urbanity, which forms a strong
contrast with the uncouthness of our own rabble. It is true that
a stab might be the result of an offensive expression, and this
is certainly one way of making all interlocutors use a good deal
of circumspection. It is worthy of remark that French politeness,
formerly proverbial, has disappeared since swords have ceased to be
worn. The laws against duelling will end by making us the rudest
nation in the world.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account