Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
Talking of baths, I will here relate a little incident which proves
that the thermal art, carried to so high a degree of perfection
by the Arabs, has lost much of its former splendour in Granada.
Our guide took us to some baths that appeared very well managed,
the rooms being situated round a patio shaded by a covering of
vine-leaves, while a large reservoir of very limpid water occupied
the greater part of the patio. So far all was well; but of what do
you think the baths themselves were made? Of copper, zinc, stone,
or wood? Not a bit of it, you are wrong; I will tell you at once,
for you will never guess. They were enormous clay jars, like those
made to hold oil. These novel baths were about two-thirds buried
in the ground. Before potting ourselves in them we had the inside
covered with a clean cloth, a piece of precaution which struck the
attendant as something so extremely strange, and which astonished
him so profoundly, that we were obliged to repeat the order several
times before he would obey it. He explained this whim of ours to
his own satisfaction by shrugging his shoulders and shaking his
head in a commiserative manner as he pronounced in a low voice the
one word: _Ingleses!_ There we sat, squatted down in our oil jars,
with our heads stuck out at the top, something like pheasants _en
terrine_, cutting rather grotesque figures. It was on this occasion
that I understood for the first time the story of _Ali Baba and
the Forty Thieves_, which had always struck me as being rather
difficult to believe, and had made me for an instant doubt the
veracity of the "Thousand-and-One Nights."
There are, also, in the Albaycin, some old Moorish baths, and a
pond covered over with a vaulted roof, pierced by a number of
little holes in the shape of stars, but they are not in working
order, and you can get nothing but cold water.
This is about all that is to be seen at Granada, during a stay of
some weeks. Public amusements are scarce. The theatre is closed
during the summer; the bull-fights do not take place at any fixed
periods; there are no clubs or establishments of this description,
and the Lyceum is the only place where it is possible to see the
French and other foreign papers. On certain days, there is a
meeting of the members, when they read papers on various subjects
as well as poetry, besides singing and playing pieces, generally
written by some young author of the company.
Public-domain text, read in full here on John Shaqi.
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