Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
more mountains raised, in a most curious manner, their summits
loaded with snow and bathed in clouds. This snow was not compact,
but divided into thin veins like sides of gauze worked with silver;
it appeared still whiter from the contrast it formed with the
azure and lilac tints of the precipices. The cold was tolerably
severe, and became more intense in proportion as we advanced. The
wind had not warmed itself by caressing the pale cheeks of these
beautiful and chilly virgins, and came to us as icy as if it had
arrived direct from the North or South Pole. We wrapped ourselves
up as hermetically as we could in our cloaks, for it is extremely
scandalous to have your nose frost-bitten in a torrid clime; I
should not have cared had we been merely fried.
The sun was setting when we entered Vittoria; after threading all
sorts of streets, of but middling architectural style and very bad
taste, the coach stopped at the _parador vejo_, where our luggage
was scrupulously examined. Our Daguerreotype especially alarmed the
worthy custom-house officers a good deal; they approached it with
the greatest precautions, like people who are afraid of being blown
up; I think they imagined it to be an electrifying machine, and I
took care not to undeceive them.
As soon as our things had been searched and our passports stamped,
we had the right to scatter ourselves over the pavement of the
town. We immediately took advantage of this, and, crossing a
fine square surrounded by arcades, proceeded straightway to the
church. The shades of night already filled the nave, and lowered
with a mysterious and threatening look in obscure corners, where
phantom-like forms might now and then be seen. A few small lamps,
yellow and smoky, trembled ominously like stars in a fog. A sort
of sepulchral chill came over me, and it was not without a slight
feeling of dread that I heard a mournful voice murmur, just at
my elbow, the stereotyped formula "_Caballero, una limosina por
l'amor de Dios._" It was a poor wretch of a soldier who had been
wounded, and who was asking an alms of us. In this country the
soldiers beg; this is excusable on account of their miserable state
of destitution, for they are paid very irregularly. In the church
at Vittoria I became acquainted with those frightful sculptures in
coloured wood, the use of which the Spaniards carry to such excess.
After a supper (_cena_) which caused us to regret that at
Antigarraga, we suddenly thought of going to the play. We had been
allured, as we passed along, by a pompous poster announcing the
extraordinary performances of two French Herculeses, which were to
terminate with a certain _baile nacional_ (national dance), which
we pictured to ourselves big with cachuchas, boleros, fandangos,
and other diabolical dances.
Public-domain text, read in full here on John Shaqi.
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