Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
The impression produced on you when you enter this ancient
sanctuary of the Moslem faith cannot be defined, and has nothing
whatever in common with that generally caused by architecture;
you seem rather to be walking about in a roofed forest than in a
building. On whatever side you turn, your eye is lost in alleys
of columns crossing each other and stretching away out of sight,
like marble vegetation that has shot up spontaneously from the
soil; the mysterious half-light which reigns in this lofty wood
increases the illusion still more. There are nineteen transepts
and thirty-six naves, but the span of the transepts is much less
than that of the naves. Each nave and transept is formed between
rows of superimposed arches, some of which cross and combine with
one another as if they were made of ribbon. The columns, each of
which is hewn out of one solid block, are hardly more than ten or
twelve feet up to the capitals, which are Arabic-Corinthian, full
of force and elegance, and reminding you rather of the African
palm than the Greek acanthus. They are composed of rare marbles,
porphyry, jasper, green and violet breccia, and other precious
substances; there are some even of antique origin, and are said
to be the remains of an old temple of Janus. Thus the rites of
three religions have been celebrated on the spot. Of these three
religions, one has for ever disappeared, with the civilization it
represented, in the gulf of the past; the second has been driven
out of Europe, where it has now but a precarious footing, to take
refuge with the barbarism of the East; and the third, after having
reached its apogee, has been undermined by the spirit of inquiry,
and is growing weaker every day, even in those countries where it
once reigned as absolute sovereign. Perhaps the old mosque built
by Abderama may still last long enough to see a fourth religion
installed under the shade of its arches, and a new God, or rather a
new prophet,--for God never changes,--celebrated with other forms
and other songs of praise.
[Illustration: MOSQUE, CORDOVA.]
Public-domain text, read in full here on John Shaqi.
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