Wanderings of a beauty : $b A tale of the real and the idealJames, Edwin, Mrs.
General
Wanderings of a beauty : $b A tale of the real and the ideal
James, Edwin, Mrs.
English fiction -- 19th century
After the birth of my little god-daughter, coldness and indifference
became actual dislike. Evelyn and her husband scarcely ever spoke, and a
virtual separation took place between them. I remained some time at the
Abbey, being loth to leave my friend under such trying circumstances.
Evelyn endeavored to beguile the time by cultivating her taste for
music; we also studied together various volumes, both of ancient and
modern history, and even sounded the depths of natural philosophy and
astronomy. Poetry and light literature, she said, made her melancholy,
as they portrayed untrue pictures of life—especially with regard to love
and marriage. She never would be persuaded to peruse any tale which
finished happily; but stories of misfortune, ending in separation or
death, she read with avidity.
This was a most unhealthy state of mind. Evelyn’s feelings were
exceedingly embittered towards her mother and stepfather, whom she
considered to have occasioned the terrible mistake of her life. Her
husband she pitied with a feeling akin to contempt, knowing that, with a
common-place wife, he might have become a better and a happier man, but
confessing herself totally unsuited to him. She would not, however,
attempt in any way to brighten his path; neither would she endeavor to
wean him from his intemperate habits, which, unhappily, became daily
more confirmed. I could not but blame, though my heart bled for poor
Evelyn; for I felt that, sooner or later, she would learn how that for
each and all of our wrong doings, and even for our sins of omission, a
just retribution awaits us, either here or hereafter.
[Illustration]
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CHAPTER VII.
+PRESENTATION TO THE QUEEN+
THE drama of real life, like that represented nightly on the mimic
stages of our theatres, naturally divides itself into acts and scenes.
Will our kind and gracious readers be pleased to imagine themselves now
sitting before the drop-curtain, which has just closed over the first
act of our piece? In order to put them into an indulgent humor, let
fancy place them in the best and most commodious of private boxes,
where, ensconced in the most luxurious of lounges, and (if a lady)
looking most charming in an opposite mirror, they may placidly and
patiently await the rising of the curtain. Then let my fair and friendly
reader turn, in imagination, to the play book, and find that a period of
some ten years is supposed to have elapsed between the first and second
acts of our drama; let her point this out to her companion, whom we will
suppose to be _the_ gentleman without whom even the most interesting
plot would prove insipid. Then let the fair lady and her admirer turn to
our little stage, and give us their undivided attention.
Public-domain text, read in full here on John Shaqi.
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