Wanderings of a beauty : $b A tale of the real and the idealJames, Edwin, Mrs.
General
Wanderings of a beauty : $b A tale of the real and the ideal
James, Edwin, Mrs.
English fiction -- 19th century
At the Pitti Palace, we spent hours wrapped in silent contemplation
before that superhuman painting, the divine Madonna della Seggiola of
Raphael Sanzio. Most of my readers will be familiar with the copies of
this picture, but these, one and all will give them but a very imperfect
idea of the original, _which cannot be reproduced_. The features and
complexion may, it is true, be copied—but who but the immortal Raphael
could represent the infinitely tender and happy, yet half wondering look
of the young mother, as she clasps that mysterious Babe to her virgin
breast! Who but he might portray those dove-like eyes, welling over with
maternal love? Verily it was given to that wondrous poet-painter alone
to reveal to mortal sight the spotless Mary, who “kept all these things,
and pondered them in her heart.” And even he must have used as his brush
a plume fresh plucked from an angel’s wing, all bright and glowing with
the hues of Paradise. Observe, too, the look of thought, far beyond his
years, which almost casts the shadow of coming sorrow over the baby brow
of that divine Infant. Genius, highest gift of heaven! how glorious are
thy works!—how godlike thy mission upon earth!
Strangers were now fast pouring into Florence, and the winter was
expected to be unusually brilliant. Col. Melville arrived, and became
the constant companion of our walks and drives, and a welcome guest at
our dinner table. Evelyn treated him kindly—at times almost as an
accepted lover, whilst at others she appeared to weary of his society,
and to long for change and excitement. Highly fitted to shine in the
_salon_, and passionately fond of amusement, our heroine had never, as
yet, been able fully to gratify her taste for the world, which from the
very novelty of its pleasures to her, now became her idol. An
all-engrossing affection, it may be imagined, like that of Melville,
rather nettled and annoyed her; she hated restraint, desired to be
uncontrolled mistress of her actions, to dance when and with whom she
pleased, and to accept the homage of the favored few. I will do her the
justice to say she never cared to attract the notice of the million, and
had a perfect horror of the street admiration so usual on the Continent.
Melville was jealous. He could not view with calmness the smiles of the
lady of his love lavished on another. He would leave the room—perhaps
the house—and not return, till a small, rose-colored missive would once
again recall him to the side of his fair tormentor.
Public-domain text, read in full here on John Shaqi.
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