Snap and I were frantically searching. Somewhere here was an entrance
to Molo's lair. It seemed in the silence that Anita's scream was still
ringing in my ears. Had it been entirely from the instrument, or were
we so close that we had heard its distant echoes?
"Gregg, help me." Snap was tugging at a horizontal door-slide, like a
trap in the tunnel floor, partly under the vacuum tube. "Stuck!" he
gasped.
It yielded with our efforts. It slid aside. Steps led downward into
blackness. We plunged in, caution gone from us. The steps went down
some twenty feet; we were in another smaller corridor. It was vaguely
lighted by a glow from somewhere, and as my pupils expanded, I could
see this was a shabby alley, opening ahead into a winding passage with
the slide-port above us like its back gate. A warren of cubbies was
here, a little sequestered segment of disreputable dwellings.
We stood peering, listening. "Shall I try the eavesdropper, Gregg?"
"Yes. No, wait!" I thought I heard distant sounds.
"Voices, Snap. Listen."
More than voices. A thud: footsteps running. A commotion, back in this
warren, within a hundred feet of us.
"This way," I murmured.
We plunged into a black gash. There was a glow of light, a glassite
pane in a house wall nearby. The commotion was louder, and under it
now we heard a vague humming: something electrical. It was an
indescribably weird sound, like nothing I had ever heard before.
Snap clutched at me. "In here, but where is the accursed door?"
There was a glassite pane, but we could find no door. In our hands we
held small electronic bolt-cylinders, short-range weapons.
The hum and hissing was louder. It seemed to throb within us, as
though vibration were communicating to every fiber of our bodies.
Light was streaming through the glassite pane, and we glimpsed the
interior of the room. The light now came from a strange mechanism set
in the center of the metal cubby. I caught only an instant's glimpse
of it, a round thing of coils and wires. The metal floor of the room
was cut away, exposing the gray rock of Manhattan Island. And against
the rock, in a ten-foot circle, a series of discs were contacted, with
wires leading from them to the central coils.
The whole was glowing with opalescent light. It was dazzling,
blinding. Within in it the goggled figure of Molo was moving,
adjusting the contacts. He stooped. He straightened, drew back from
the light.
Only an instant's glimpse, but we saw the girls, crouching with black
bandages on their eyes. Meka, goggled like her brother, was holding
them. A tall shape carrying a round black box darted through the light
and ran. Molo leaped for the girls; the hum had mounted to a wild
electrical scream. Molo flung his sister back out of the light.
They all vanished. There was nothing but the light, and the mounting
dynamic scream.
Beside me, Snap was pounding on the glassite panel. I joined him.
Everything was dreamlike, blurring as though unconsciousness was upon
me.
Public-domain text, read in full here on John Shaqi.
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