Cooks -- Fiction; Household employees -- Fiction; Housekeeping -- Fiction; Married people -- Fiction
"Grovel!" cried Aunt Julia, "grovel! I like that. In my time, a
housewife knew what she was doing--"
"That's just it," I interrupted. "In your time, Aunt Julia, there were
housewives. I hate the phrase. Housewife--wife of the house. I want my
wife for myself, not for my house. In your time, I dare say, women so
far forgot themselves--yes, forgot themselves, Aunt Julia--as to discuss
the laundry, or the market, with their husbands. That, I may say, is not
our idea. I want your dear little niece to stay in her drawing-room--"
"Stay in her--what?" cried Aunt Julia ferociously.
"I repeat: her drawing-room. Oh, I know that you would prefer that I say
'parlor.' I decline to do so. It is a word that grates on my nerves. In
England, they have 'parlors' in hovels. You enter the 'parlor' direct
from the street. It is quite unnecessary to cast a stigma on a room.
Drawing-room sounds much more refined. With us it will be drawing-room."
"I think Archie is right, Aunt Julia," said Letitia, looking up from _De
Amicitia_, and smiling at me--dear little girl! "It is a prettier term,
isn't it? 'Parlor' sounds so awfully poor, and--well, dear, we are
really not awfully poor. It is the little refinements of life that
count. I don't think I could feel at home in a parlor. I just adore the
notion of my drawing-room."
Aunt Julia laughed. It wasn't one of those laughs that signify
merriment. It was that contemptuous something that we call a laugh for
want of a better word. I should classify it as a snortch, or a sniffth.
It angered me considerably.
"There are no drawing-rooms," continued Letitia's relative, "in
One-Hundred-and-Fourth Street, near Columbus Avenue. I should think you
would be satisfied to hear them called 'parlors.' Cubby-holes would be
more appropriate. Of course, I may be all wrong. Of course. Ha! Ha! To
talk as though you owned Marlborough House, or Buckingham Palace, or
Vanderbilt's mansion! Ha! Ha! It is too preposterous."
I saw a flush on my Letitia's face. She had closed her Cicero with a
sigh. All this small-talk was nerve-racking.
"A drawing-room," persisted Aunt Julia, "is literally the room to which
the guests withdraw after dinner. I imagine that your guests will
withdraw to it not only after dinner, but after luncheon and breakfast
as well. In fact they will be obliged to withdraw there or sit on the
fire-escape. By-the-by, have you a fire-escape?"
As though I knew or cared! Fancy selecting a home, and inquiring if
there were any means by which you could escape from it. I did not
answer. My mind was brooding over the question of withdrawing from the
dining-room. Next to our dining-room was the bathroom. It was rather an
odd arrangement, especially as bathing is considered dangerous
immediately after eating. The man who designed our "home" evidently
thought that a bath after a meal was a good thing. Otherwise, why place
the bathroom next to the dining-room?
Public-domain text, read in full here on John Shaqi.
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