It is raining, raining, and we are numb with cold, but we have arrived
at last, and in another moment I shall see him, the King, without
reproach and without fear. Were it not for these troops and all these
service motor cars, it would be impossible to believe that this remote
village was the General Headquarters. I have to leave the car, for the
road which leads to the royal residence is nothing more than a footpath.
Among the rough motor cars standing there, all stained with mud from the
roads, there is one car of superior design, having no armorial bearings
of any kind, nothing but two letters traced in chalk on the black door,
S.M. (_Sa Majesté_), for this is _his_ car. In this charming corner of
ancient Flanders, in an old abbey, surrounded by trees and tombs, here
is his dwelling. Out in the rain, on the path which borders on the
little sacred cemetery, an aide-de-camp comes to meet me, a man with the
charm and simplicity that no doubt likewise characterise his sovereign.
There are no guards at the entrance to the dwelling, and no ceremony is
observed. At the end of an unimposing corridor where I have just time to
remove my overcoat, in the embrasure of an opening door, the King
appears, erect, tall, slender, with regular features and a surprising
air of youth, with frank eyes, gentle and noble in expression,
stretching out his hand in kindly welcome.
In the course of my life other kings and emperors have been gracious
enough to receive me, but in spite of pomp, in spite of the splendour of
some of their palaces, I have never yet felt such reverence for
sovereign majesty as here, on the threshold of this little house, where
it is infinitely exalted by calamity and self-sacrifice; and when I
express this sentiment to King Albert he replies with a smile, "Oh, as
for my palace," and he completes his phrase with a negligent wave of the
hand, indicating his humble surroundings. It is indeed a simple room
that I have just entered, yet by the mere absence of all vulgarity,
still possessing distinction. A bookcase crowded with books occupies the
whole of one wall; in the background there is an open piano with a
music-book on the stand; in the middle a large table, covered with maps
and strategic plans; and the window, open in spite of the cold, looks
out on to a little old-world garden, like that of a parish priest,
almost completely enclosed, stripped of its leaves, melancholy, weeping,
as it were, the rains of winter.
Public-domain text, read in full here on John Shaqi.
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