War and the Future: Italy, France and Britain at WarWells, H. G. (Herbert George)
History
War and the Future: Italy, France and Britain at War
Wells, H. G. (Herbert George)
World War, 1914-1918
In the last few years I have developed a religious belief that has
become now to me as real as any commonplace fact. I think that mankind
is still as it were collectively dreaming and hardly more awakened to
reality than a very young child. It has these dreams that we express by
the flags of nationalities and by strange loyalties and by irrational
creeds and ceremonies, and its dreams at times become such nightmares as
this war. But the time draws near when mankind will awake and the dreams
will fade away, and then there will be no nationality in all the world
but humanity, and no kind, no emperor, nor leader but the one God of
mankind. This is my faith. I am as certain of this as I was in 1900 that
men would presently fly. To me it is as if it must be so.
So that to me this extraordinary refusal of the allied nations under
conditions that have always hitherto produced a Great Man to produce
anything of the sort, anything that can be used as an effigy and carried
about for the crowd to follow, is a fact of extreme significance and
encouragement. It seems to me that the twilight of the half gods must
have come, that we have reached the end of the age when men needed a
Personal Figure about which they could rally. The Kaiser is perhaps
the last of that long series of crowned and cloaked and semi-divine
personages which has included Caesar and Alexander and Napoleon the
First--and Third. In the light of the new time we see the emperor-god
for the guy he is. In the August of 1914 he set himself up to be the
paramount Lord of the World, and it will seem to the historian to come,
who will know our dates so well and our feelings, our fatigues and
efforts so little, it will seem a short period from that day to this,
when the great figure already sways and staggers towards the bonfire.
5
I had the experience of meeting a contemporary king upon this journey.
He was the first king I had ever met. The Potsdam figure--with perhaps
some local exceptions behind the Gold Coast--is, with its collection of
uniforms and its pomps and splendours, the purest survival of the old
tradition of divine monarchy now that the Emperor at Pekin has followed
the Shogun into the shadows. The modern type of king shows a disposition
to intimate at the outset that he cannot help it, and to justify or at
any rate utilise his exceptional position by sound hard work. It is an
age of working kings, with the manners of private gentlemen. The King
of Italy for example is far more accessible than was the late Pierpont
Morgan or the late Cecil Rhodes, and he seems to keep a smaller court.
Public-domain text, read in full here on John Shaqi.
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