War and the Future: Italy, France and Britain at WarWells, H. G. (Herbert George)
History
War and the Future: Italy, France and Britain at War
Wells, H. G. (Herbert George)
World War, 1914-1918
It is not in these places that one must look for the real destruction
of modern war. The real fight on the left of Goritzia went through the
village of Lucinico up the hill of Podgora. Lucinico is nothing more
than a heap of grey stones; except for a bit of the church wall and the
gable end of a house one cannot even speak of it as ruins. But in one
place among the rubble I saw the splintered top and a leg of a grand
piano. Podgora hill, which was no doubt once neatly terraced and
cultivated, is like a scrap of landscape from some airless, treeless
planet. Still more desolate was the scene upon the Carso to the right
(south) of Goritzia. Both San Martino and Doberdo are destroyed beyond
the limits of ruination. The Carso itself is a waterless upland with but
a few bushy trees; it must always have been a desolate region, but now
it is an indescribable wilderness of shell craters, smashed-up Austrian
trenches, splintered timber, old iron, rags, and that rusty thorny
vileness of man's invention, worse than all the thorns and thickets of
nature, barbed wire. There are no dead visible; the wounded have been
cleared away; but about the trenches and particularly near some of the
dug-outs there was a faint repulsive smell....
Yet into this wilderness the Italians are now thrusting a sort of order.
The German is a wonderful worker, they say on the Anglo-French front
that he makes his trenches by way of resting, but I doubt if he can
touch the Italian at certain forms of toil. All the way up to San
Martino and beyond, swarms of workmen were making one of those carefully
graded roads that the Italians make better than any other people. Other
swarms were laying water-pipes. For upon the Carso there are neither
roads nor water, and before the Italians can thrust farther both must be
brought up to the front.
As we approached San Martino an Austrian aeroplane made its presence
felt overhead by dropping a bomb among the tents of some workmen, in a
little scrubby wood on the hillside near at hand. One heard the report
and turned to see the fragments flying and the dust. Probably they got
someone. And then, after a little pause, the encampment began to spew
out men; here, there and everywhere they appeared among the tents,
running like rabbits at evening-time, down the hill. Soon after and
probably in connection with this signal, Austrian shells began to come
over. They do not use shrapnel because the rocky soil of Italy makes
that unnecessary. They fire a sort of shell that goes bang and releases
a cloud of smoke overhead, and then drops a parcel of high explosive
that bursts on the ground. The ground leaps into red dust and smoke. But
these things are now to be seen on the cinema. Forthwith the men working
on the road about us begin to down tools and make for the shelter
trenches, a long procession going at a steady but resolute walk. Then
like a blow in the chest came the bang of a big Italian gun somewhere
close at hand....
Public-domain text, read in full here on John Shaqi.
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