War and the Future: Italy, France and Britain at WarWells, H. G. (Herbert George)
History
War and the Future: Italy, France and Britain at War
Wells, H. G. (Herbert George)
World War, 1914-1918
It is a novelty to an English mind to find banking thus mixed up with
politics, but it is not a novelty in Italy. All over Venetia there are
agricultural banks which are said to be “clerical.” I grappled with this
mystery. “How are they clerical?” I asked Captain Pirelli. “Do they lend
money on bad security to clerical voters, and on no terms whatever
to anti-clericals?” He was quite of my way of thinking. “_Pecunia non
olet_,” he said; “I have never yet smelt a clerical fifty lira note.”...
But on the other hand Italy is very close to Germany; she wants easy
money for development, cheap coal, a market for various products. The
case against the Germans--this case in which the Banca Commerciale
Italiana appears, I am convinced unjustly, as a suspect--is that they
have turned this natural and proper interchange with Italy into the
acquisition of German power. That they have not been merely easy
traders, but patriotic agents. It is alleged that they used their
early “pull” in Italian banking to favour German enterprises and German
political influence against the development of native Italian business;
that their merchants are not bona-fide individuals, but members of
a nationalist conspiracy to gain economic controls. The German is a
patriotic monomaniac. He is not a man but a limb, the worshipper of a
national effigy, the digit of an insanely proud and greedy Germania, and
here are the natural consequences.
The case of the individual Italian compactly is this: “We do not like
the Austrians and Germans. These Imperialisms look always over the Alps.
Whatever increases German influence here threatens Italian life. The
German is a German first and a human being afterwards.... But on the
other hand England seems commercially indifferent to us and France has
been economically hostile...”
“After all,” I said presently, after reflection, “in that matter of
_Pecunia non olet_; there used to be fusses about European loans in
China. And one of the favourite themes of British fiction and drama
before the war was the unfortunate position of the girl who accepted a
loan from the wicked man to pay her debts at bridge.”
“Italy,” said Captain Pirelli, “isn't a girl. And she hasn't been
playing bridge.”
Public-domain text, read in full here on John Shaqi.
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