War Brides: A Play in One ActWentworth, Marion Craig
History
War Brides: A Play in One Act
Wentworth, Marion Craig
World War, 1914-1918 -- Drama
[Illustration: Good-by! good-by!]
WAR BRIDES
_A Play in One Act_
BY
MARION CRAIG WENTWORTH
ILLUSTRATED WITH PHOTOGRAPHS FROM THE
PLAY AS PRESENTED BY MME. NAZIMOVA
NEW YORK
THE CENTURY CO.
1915
Copyright, 1915, by
THE CENTURY CO.
Acting rights controlled by
DRAMATISTS' PLAY AGENCY,
145 West 45th Street,
NEW YORK CITY
_Published, February 1915_
TO
MY LITTLE BOY
BRANDON
LIST OF ILLUSTRATIONS
Good-by! good-by! _Frontispiece_
FACING PAGE
Arno: You are wanted 42
Hedwig: Franz? }
Amelia: Franz, too } 62
Amelia: No, you must not! You have too
much to live for 66
This play was first produced
on January 25, 1915, at
B.F. KEITH'S PALACE THEATRE,
NEW YORK CITY,
with the following cast:
Hedwig (Joan) Mme. Nazimova
Amelia (Amy) Mary Alden
Mother Gertrude Berkeley
Hoffman (Joseph Kerman) Charles Bryant
Minna Edith Speare
Arno C. Brown
Hertz (Captain Bragg) William Hasson
Peasants, Women and Soldiers.
Time--Present. Place--A War-Ridden Country.
Personal Manager for Madame Nazimova
William F. Muenster
WAR BRIDES
The war brides were cheered with enthusiasm and the churches were
crowded when the wedding parties spoke the ceremony in
concert.--PRESS CLIPPING.
SCENE: _A room in a peasant's cottage in a war-ridden country. A large
fireplace at the right. Near it a high-backed settle. On the left a
heavy oak table and benches. Woven mats on the floor. A door at left
leads into a bedroom. In the corner a cupboard. At the back a wide
window with scarlet geraniums and an open door. A few firearms are
stacked near the fireplace. There is an air of homely color and neatness
about the room._
_Through the open door may be seen women stacking grain. Others go by
carrying huge baskets of grapes or loads of wood, and gradually it
penetrates the mind that all these workers are women, aristocrats and
peasants side by side. Now and then a bugle blows or a drum beats in the
distance. A squad of soldiers marches quickly by. There is everywhere
the tense atmosphere of unusual circumstance, the anxiety and excitement
of war._
_Amelia, a slight, flaxen-haired girl of nineteen, comes in. She brushes
off the hay with which she is covered, and goes to packing a bag with a
secret, but determined, air. The Mother passes the window and appears in
the doorway. She is old and work-worn, but sturdy and stoical. Now she
carries a heavy load of wood, and is weary. She casts a sharp eye at
Amelia._
_Mother:_
What are you doing, girl? [_Amelia starts and puts the bag in the
cupboard._] Who's going away? They haven't sent for Arno?
_Amelia:_
No.
Public-domain text, read in full here on John Shaqi.
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