"War to the Knife;" or, Tangata MaoriBoldrewood, Rolf
General
"War to the Knife;" or, Tangata Maori
Boldrewood, Rolf
Māori (New Zealand people) -- Fiction; New Zealand -- Fiction
"I do you full justice, my dear child," said he; "you are devoting
yourself to the noblest earthly duty, but I feel it right to warn you
that, though the war must be nearing its close, there may be even
greater dangers in store for isolated households such as this. Even
after the collapse of the hostile tribes, there may be desperate
bands roaming the country, seeking by plunder and outrage to avenge
the downfall of their race. I have warned Cyril, and have counselled
him, on the first rumour of such horrors, to remove his household to
Auckland, and, even as I would do in the case of my own daughter, I
have urged him to send you to the protection of any friends you may
have in New Zealand 'until this tyranny be overpast.' Weigh my words
well, and may God give you power to choose aright."
"I cannot fully express my deep gratitude, my lord, for the honour you
have done me, and the interest you have taken in my welfare. That I
did not devote myself to mission work without earnest and prayerful
thought, your lordship may rest assured. I counted the cost beforehand,
and now I cannot dream of deserting my colours, so to speak. You will
not think that I am quite destitute of prudence. I shall accept the
decision of my dear friend and her husband. If they think it imperative
to retreat in the face of too evident danger, I shall accompany them.
But as long as they remain, whatever may be the disquieting rumours, I
shall be found at their side. '_Ake, ake, ake_,' as the men at Orakau
said. We must not let the Maoris have all the glory on their side."
The bishop smiled as she used the historical words of the unconquered
garrison, but could not forbear gazing with admiration at the
high-souled maiden, as she stood with upraised head and flashing eyes
before him; a marvel of classic beauty, embodying all the nobility of
form and feature which painters and sculptors have from the earliest
ages loved to depict--an emblem of matchless womanhood devoted to a
lofty ideal.
"We are all in God's hands," he said softly. "Let Him do what seemeth
to Him good. May He bless and protect you, my child, and all who are of
this household to-night."
Stars were contending with the rain-clouds of a stormy dawn as Hypatia
drew back the curtain from the window of her bedroom and looked out.
She saw the bishop come forth from the guest-room at the end of the
verandah, wrapped in his cloak. He handed his valise to the Maori
attendant, Koihua, who stood motionless at the foot of an English elm
tree, and with staff in hand set forth on the Tauranga road with the
free step and elastic stride of a trained pedestrian. Once, and once
only, at the first turn in the winding path did he look back for an
instant, and, noting Hypatia's face at the window, waved his hat in
token of farewell, and disappeared in the woodland. There were tears in
Hypatia's eyes, springing from a sentiment she could hardly analyze, as
she turned from the casement.
CHAPTER XV
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account