If in imagination the mothers, sisters, sweethearts and wives of the
world could get the roar of the cannon in their ears and feel the splash
of blood in their faces, could see and hear the horrors of the
battlefield and the agonies of the war hospital, they would never again
be fooled into smiling caressingly upon the haughty and jaunty “higher
officers,” when, like peacocks, these gilt-braided professional human
butchers strut through the ball-rooms and through the streets on
military dress parade, and these women would also regard the pro-war
orator with complete contempt.
The women of the world owe a great debt of gratitude to the writers of
some powerful pen pictures of war. The terrible but accurate realism of
some of their descriptions of war makes one hate the word war. Emile
Zola’s story, _The Downfall_,[8] is crowded with these pictures. _The
Downfall_ should be in a million American private libraries. Following
is a page of Zola’s flashlights from the battlefields of the
Franco-Prussian War, 1870–71:[9]
“At no time during the day had the artillery thundered more loudly
than now.... It was as if all the forces of the nether regions had
been unchained; the earth shook, the heavens were on fire. The ring
of flame-belching mouths of bronze that encircled Sedan, the eight
hundred cannon of the German armies ... were expending their
energies on the adjacent fields.... The crash that told of ruin and
destruction was heard.... Some lay face downward with their mouths
in a pool of blood, in danger of suffocating, others had bitten the
ground till their mouths were full of dry earth, others, where a
shell had fallen among a group, were a confused, intertwined heap of
mangled limbs and crushed trunks.... Some soldiers who were driving
a venerable lady from her home had compelled her to furnish matches
with which to fire her own beds and curtains. Lighted by blazing
brands and fed by petroleum in floods, fires were rising and
spreading in every quarter; it was no longer civilized warfare, but
a conflict of savages, maddened by the long-protracted strife,
wreaking vengeance for their dead, their heaps of dead, upon whom
they trod at every step they took. Yelling, shouting bands traversed
the streets amid the scurrying smoke and falling cinders, swelling
the hideous uproar into which entered sounds of every kind: shrieks,
groans, the rattle of musketry, the crash of falling wall. Men could
scarce see one another; great livid clouds drifted athwart the sun
and obscured his light, bearing with them an intolerable stench of
soot and blood, heavy with the abominations of the slaughter. In
every quarter the work of death and destruction still went on: the
human brute unchained, the imbecile wrath, the mad fury, of man
devouring his brother man.... Horses were rearing, pawing the air,
and falling backward; men were dismounted as if torn from their
Public-domain text, read in full here on John Shaqi.
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