Warlock o' Glenwarlock: A Homely RomanceMacDonald, George
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Warlock o' Glenwarlock: A Homely Romance
MacDonald, George
Christian fiction; Highlands (Scotland) -- Fiction
Before Cosmo’s mother died, old Mrs. Warlock would have been indignant
at the idea of sitting in the kitchen, but things had combined to
bring her to it. She found herself very lonely seated in state in the
drawing-room, where, as there was no longer a daughter-in-law to go and
come, she learned little or nothing of what was doing about the place,
and where few that called cared to seek her out, for she had never been
a favourite with the humbler neighbours. Also, as time went on, and
the sight of money grew rarer and rarer, it became more desirable to
economize light in the winter. They had not come to that with firing,
for, as long as there were horses and intervals of less labour on
the farm, peats were always to be had--though at the same time, the
drawing-room could not be made so warm as the kitchen. But for light,
even for train-oil to be burned in the simplest of lamps, money had to
be paid--and money was of all ordinary things the seldomest seen at
Castle Warlock. From these operative causes it came by degrees, that
one winter, for the sake of company, of warmth, of economy, Mistress
Warlock had her chair carried to the kitchen; and the thing once
done, it easily and naturally grew to a custom, and extended itself
to the summer as well; for she who had ceased to stand on ceremony in
the winter, could hardly without additional loss of dignity reascend
her pedestal only because it was summer again. To the laird it was a
matter of no consequence where he sat, ate, or slept. When his wife
was alive, wherever she was, that was the place for him; when she was
gone, all places were the same to him. There was, besides, that in
the disposition of the man which tended to the homely:--any one who
imagines that in the least synonymous with the coarse, or discourteous,
or unrefined, has yet to understand the essentials of good breeding.
Hence it came that the other rooms of the house were by degrees almost
neglected. Both the dining-room and drawing-room grew very cold,
cold as with the coldness of what is dead; and though he slept in
the same part of the house by choice, not often did the young laird
enter either. But he had concerning them, the latter in particular, a
notion of vastness and grandeur; and along with that, a vague sense
of sanctity, which it is not quite easy to define or account for. It
seems however to have the same root with all veneration for place--for
if there were not a natural inclination to venerate place, would any
external reason make men capable of it? I think we shall come at length
to feel all places, as all times and all spaces, venerable, because
they are the outcome of the eternal nature and the eternal thought.
When we have God, all is holy, and we are at home.
CHAPTER III.
THE DRAWING-ROOM.
Public-domain text, read in full here on John Shaqi.
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