Mr. RUBENSTEIN. Those would be three as far as I know. You see we all had our own friends, so I didn’t know too many of Jack’s except when he would bring them to the house or we would meet somewhere by accident, downtown, somewhere, you know, run into each other in the street. Mr. GRIFFIN. I am going to hand you what I have marked--incidentally, if you are satisfied with that---- Mr. RUBENSTEIN. Except for what I told you here the only incident was this Stanley Oliver Corp., I don’t know whether Jack sold any stuff, maybe he did. I don’t know about those things. Mr. GRIFFIN. Would you then sign on the first page, Exhibit No. 3? Mr. RUBENSTEIN. Right here? Mr. GRIFFIN. Sign it in some conspicuous place. Mr. RUBENSTEIN. How about down here? Mr. GRIFFIN. Fine. I will hand you now what I have marked for identification as “Exhibit No. 4, Washington, D.C., June 5th, 1964, deposition of Hyman Rubenstein.” This is a copy of the interview report prepared by Special Agent George Parfet in connection with an interview he had with you on November 27, 1963, in Chicago. Take the time to read that, and tell us whether there are any corrections that you would make in that. Mr. RUBENSTEIN. This is the part I forgot to tell you about, when Jack called and told me about the newspaper, I forgot, I couldn’t exactly remember. That is exactly what he said. Mr. GRIFFIN. What was that? Mr. RUBENSTEIN. When he called about the newspaper with the ad with the black border about it. Mr. GRIFFIN. He called you? Mr. RUBENSTEIN. I believe he did. Mr. GRIFFIN. You said before that he called Eva and that you learned about this from Eva. Mr. RUBENSTEIN. It could have been. But according to this, according to this, “The exact time of the shooting of the President of the United States his brother Jack had been in the office of a newspaper.” It could have been that Eva told me this. You are right. That is right. Because he came over and had breakfast with Eva and he had tried to explain to her about the ad, whether she had noticed it, Eva said, “What do I notice about an ad?” He said, “With the black border around it, and the, what was that word I used before, the twenty, what is that word where you have---- Mr. GRIFFIN. Grievances? Mr. RUBENSTEIN. Grievances. The grievances. It was Eva. Should I sign this? Mr. GRIFFIN. If you would. (Hyman Rubenstein Exhibit No. 4 was marked for identification.) Mr. RUBENSTEIN. You are bringing back a lot of--what a deal. Mr. GRIFFIN. If you remember anything in the course of reading that we haven’t covered, why let’s have it. Now is the time. Mr. RUBENSTEIN. Well, I don’t know. It is hard, gentlemen, it isn’t easy. It wasn’t a pleasant experience. It was a sad experience, and your mind wants to block out those things that you don’t want to remember. So, it is hard to remember every incident or every detail. Mr. GRIFFIN. If things come to your mind. Mr. RUBENSTEIN. I know.